細節
李桓權
《酱油罐》系列 (女孩及男孩) - 顏色
強化玻璃纖維 雕塑 (共兩件)
版數:4/5
2008年作
簽名:Yi Hwan Kwon

展覽
2008年12月1-31日「A Family」首爾 韓國 (展品為另一版數)
2009年5月11日-6月30日「Love in Rainbow」Avenuel Lotte Art 畫廊 首爾 韓國 (展品為另一版數)
2009年6月25日-7月17日「Shared Illusion」CAIS畫廊 首爾 韓國

出版
2009年《A Family》貞洞劇場 首爾 韓國 (圖版為另一版數,第3頁)
2009年《Shared Illusion》CAIS畫廊 首爾 韓國 (圖版,第35頁)


李桓權延展扁平的雕塑創造出另一個並行時空。在這空間中,肉眼所見與知覺協調都被荒謬地扭曲。這些創作挑起了嶄新的時空視覺經驗,對於這些熟悉的人和物,內心卻產生一種陌生感,因此我們也必須重新調整預測知覺的能力。

在李桓權的定格世界中,距離、空間與時間都被壓縮,這就像寬螢幕影片在電視機上播放時,所展現的延伸世界。這樣的嘗試趣味盎然,也為平面與立體空間的變量關係注入活力。數千張圖片經過電腦數位化處理之後,創造出這些被壓縮和延展的人物。在空間、時間的處理上,李桓權和阿爾貝托•賈科梅蒂的創作形式類似,都會將作品壓縮並且展延。李桓權在首爾接受景觀雕塑訓練,他把夢寐以求的作品融入對現有環境的關切,並且發掘了人類、土地、自然與人工、幻想與現實之間全新的互動關係。
出版
Chongdong Theater, A Family, Seoul, Korea, 2009 (different edition illustrated, p. 3).
CAIS Gallery, Shared Illusion, Seoul, Korea, 2009 (illustrated, p. 35).
展覽
Seoul, Korea, Chongdong Theater, A Family, 1-31 December 2008 (different edition exhibited).
Seoul, Korea, Avenuel Lotte Art Gallery, Love in Rainbow, 11 May-30 June 2009 (different edition exhibited).
Seoul, Korea, CAIS Gallery, Shared Illusio, 25 June-17 July 2009.
拍場告示
Please note that this work is titled and signed in English, signed in Korean, numbered on the reverse of one sculpture.

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拍品專文

The distorted sculptures of Yi Hwan Kwon display a parallel universe where ocular reality and perceptual accords of conformity are absurdly bended. They provoke a visual experience in space and time, where our eyes seem to navigate familiar objects and people only for the first time, and our predicated perception must freshly adjust.

The compression of distance, space and time in Yi's freeze-frame world is in reference to the elongated world appearing on television when wide-screen film is broadcast, and is an inquisitive attempt to inject vitality into the variable relationship between the two-dimensional and three-dimensional realms. The outstretched and flattened shapes, which are molded from digitally-manipulating thousands of photographs, perhaps present a contemporary solution in reinterpreting forms and relativity of space not unlike the exercises of Alberto Giacometti. Trained in Seoul in environmental sculpture, Yi's coveted works hold an innate consideration of the existing environment, and at the same time, emphasize the discovery of new interactive relationship between human and land, natural and artifice, illusion and reality.

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