細節
連建興
颱風夜
油彩 畫布
1988年作
簽名:連建興

來源
亞洲 私人收藏

展覽
1993年「連建興個展」誠品畫廊 台北 台灣

出版
1993年《連建興個展》誠品畫廊 台北 台灣 (圖版,第35圖,第74-75頁)


連建興在1980年代初期以獨樹一格的魔幻寫實主義於藝壇嶄露頭角,擅長以寫實技法呈現對於大自然奇景的禮讚與人類文明的反思。作於1988年的《颱風夜》 (Lot 1702)在巨大尺幅的畫布中,描繪了颱風夜晚水勢傾洩而出的壯觀景象,乍看之下水庫洩洪似乎是現實生活的平凡場景,但連建興卻應用了幽暗的色系創造豐富的層次變化,水庫的紋樣與形式彷彿來自遠古文明,藝術家以洶湧的水流暗示了我們自然力量的雄偉與不可侵犯,不論科技多麼進步,自然終究會突破人工建物的藩籬,而找尋到自身的出口。

來源
Private collection, Asia
出版
Eslite Gallery, Lien Chien-Hsing, exh. cat., Taipei, Taiwan, 1993 (illustrated, plate 35, pp. 74-75).
展覽
Taipei, Taiwan, Eslite Gallery, Lien Chien-Hsing, 1993.

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拍品專文

In the early eighties Lien Chien-hsing distinguished himself from his contemporaries with his unique style of Magical Realism and celebratory representation of the natural wonders and introspection of human civilization. In the large A Typhoon Night (Lot 1702), created in 1988, the artist has depicted a spectacular scene of water spilling out in the typhoon night. At first glance, it is an ordinary scene of water flowing from the reservoir. Upon closer inspection, the intricate patterning of dark colours and layered form of the reservoir are reminiscent of patterns from ancient cultures. The magnificence and resoluteness of nature has been implied by the artist's depiction of turbulent water. He suggests that no matter how advanced technology may be nature will always break free from the barrier of artificial construction and find its way back into the wild.

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