細節
安冨洋貴
刹那的憧憬
鉛筆 紙本 裱於木板
2004年作
簽名:安冨洋貴

展覽
2008年11月16日-12月14日「安冨洋貴」奈義町現代美術館 岡山 日本

出版
2008年 《安冨洋貴 2002-2008年作品》Imura 畫廊 京都 日本 (圖版,第18頁)


安冨洋貴秉持其一貫風格,以繁多精緻細節吸引賞畫者目光,像是濕濕的地面上被人隨意丟落的透明傘上的小雨滴。安冨洋貴以鉛筆作為唯一的媒介,用不同深淺度的色調勾勒出四維的場景。安冨洋貴刻意設計的空曠畫面,以及散點式的構圖,帶領觀者思考雨傘被丟落的剎那前,曾出現的人,發生的事。他在雨傘和觀者間創造出微妙的聯結,讓觀者也參與了這個如電影情節般的故事,彷彿是午夜漫遊,不小心踩到雨傘的路人。畫者擅於以巧妙手法與簡單的創作媒介捕捉瞬間時刻的感受,並融入深刻感情與詩意般的表達元素,充份展現他過人的智慧與藝術涵養。
出版
Imura Art Gallery, Hiroki Yasutomi 2002-2008 Works, Kyoto, Japan, 2008 (illustrated, p. 18).
展覽
Okayama, Japan, Nagi Museum of Contemporary Art, Hiroki Yasutomi, 16 November-14 December 2008.

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拍品專文

In his signature style, Hiroki Yasutomi directs the viewer's attention to the numerous details found in his drawings, such as the thousands of tiny rain drops caught on a transparent umbrella casually discarded on a wet ground. With the lone pencil medium, Yasutomi uses various tones and drawing techniques to build a richly, fully dimensional scene. The intentionally sparse panorama and cropped composition allows Yasutomi to ponder the minute occurrences in the very moment before the umbrella was abandoned. Creating an intimacy between the umbrella and the viewer, we are engaged as a participant in the story, as though the audience stumbled upon the umbrella on a midnight stroll. The artist's ability to portray the sensuousness of a fleeting moment in time with such great delicacy and simplicity, and to infuse it with depth of emotion and elements of poetic expression conveys both his intellectualism and artistic brilliance.

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