Borsalino

細節

René Daniels (B. 1950)
Borsalino
signed and dated 'rdaniels 81' (lower right)
pencil and watercolour on paper
30 x 20 cm.

來源

Galerie Helen van der Meij, Amsterdam, where acquired by the present owner in 1983.

展覽

Eindhoven, Stedelijk van Abbemuseum, René Daniëls, The Most Contemporary Picture Show, 25 April-30 August 1998. Traveled to: Wolfsburg, Kunstmuseum; Basel, Kunsthalle; Amsterdam, Stedelijk Museum.

注意事項

Artist's Resale Right ("Droit de Suite"). Artist's Resale Right Regulations 2006 apply to this lot, the buyer agrees to pay us an amount equal to the resale royalty provided for in those Regulations, and we undertake to the buyer to pay such amount to the artist's collection agent. Christie’s charges a premium to the buyer on the Hammer Price of each lot sold at the following rates: 29.75% of the Hammer Price of each lot up to and including €20,000, plus 23.8% of the Hammer Price between €20,001 and €800.000, plus 14.28% of any amount in excess of €800.000. Buyer’s premium is calculated on the basis of each lot individually.

榮譽呈獻

Annemijn van Grimbergen

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拍品專文

Daniëls produced a small amount of sketches and one painting of a man whose head has firmly grown into his Italian hat, see also Stedelijk Museum Bulletin, Amsterdam, 1983, p. 45. and Marente Bloemheuvel, Jaap Guldemond (eds.), Catalogue René Daniëls - The Most Contemporary Picture Show, Stedelijk Van Abbemuseum, Kunstmuseum Wolfsburg, Kunsthalle Basel, Stedelijk Museum, 1998-1999, p. 19, p. 70. In this elaborate drawing in pencil and gouache, an element is added that omits from the sketches. Referring to Francis Picabia's 'transparent' period in which the French modernist drew images over and through other images, Daniëls projects the white outlines of a human body on the head of the man with the hat. Another view is to interpret the white lines as 'ectoplasm' streaming out of the man's ears. In the supernatural world, ectoplasm is a pale, almost fluid substance witnessed by some psychic mediums during their sessions, facilitating the interaction with 'the other side'.