A FAMILLE ROSE LANDSCAPE BRUSHPOT
PROPERTY OF THE HON. ANDREW LI KWOK NANG (LOTS 3278 - 3282)
A FAMILLE ROSE LANDSCAPE BRUSHPOT

REPUBLIC PERIOD, WUCHEN CYCLICAL YEAR CORRESPONDING TO 1928 AND OF THE PERIOD

細節
民國 王琦、江野亭合作粉彩山水人物四方筆筒

筆筒呈四方形,倭角,直壁,隨形圈足。四面粉彩繪山水人物圖。一面繪高仕撫琴於樹下,書童靜坐身後打瞌睡,左邊墨彩草書題:「靜坐幽深處,倚琴待月來。」尾署「西昌王琦」,隨「王琦」朱印;一面繪山林水榭,懸崖峭壁,綠樹青蔥,紅花盛開,水榭臨水依山而建,高仕臨欄觀瀑,山頂寶塔聳立,塔旁墨彩書「汪平野亭」,隨「汪平」朱印;一面繪兩漁翁對坐聊天,上邊墨彩草書題:「對坐一漁樵,生涯脫塵囂。晚來安茆屋,朝出倚谿橋。閒視含煙柳,怕聽滴雨蕉,鱸魚堪釣得,沽酒且逍遙。」尾署「戊辰春月西昌王琦」,隨「王琦」朱印;一面繪遠峰起伏綿延,水波蕩漾,綠蔭蔥鬱,花開點點,小橋茅舍,飛鳥悠悠,左上方墨彩題:「仿雲林大意于珠山客次歲在戊辰正月望日傳方居士汪野亭」隨「汪印」、「之印」朱印。底紅彩「匋匋齋」印款。

此器集珠山八友兩位大家王琦和汪野亭的作品而成,底落王琦「匋匋齋」印款。王琦描繪人物細膩,筆法瀟灑奔放,加入了西方繪法,創造了自己的風格,人物描寫形神兼備。汪野亭以青綠山水為主,玩墨於山水之間,高山巍峨,林木蔥蘢,悠悠飛鳥、漁人、高仕翱遊於不食人間煙火的山林之間,令人心曠神怡。

此器源自李國能先生珍藏。
來源
The Hon. Andrew Li Kwok Nang, acquired from a Hong Kong private collector in the early 1980s

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拍品專文

The two artists, Wang Qi (1884-1937) and Wang Yeting (1884-1942) were both considered the 'Eight Friends of Zhushan, the former being the most outstanding, and influential, among this group of masters. In 1922, Wang Qi became the vice-president of the Ciyue Meishu Yanjiushe, 'Porcelain Painting Research Institute'; and founded the Yue Yuan Hui, 'The Full Moon Society' in 1928 which sets the foundation for the promotion of ceramic art for the Eight Friends of Zhushan and its followers. Wang Qi specialised in the area of painting figures in landscape; for two vases bearing his studio name, Taotao Zhai, cf. Chinese Porcelain of the Republic Period, The Muwen Tang Collection Series, 6, 2008, pp. 114-117, nos. 28 (dated 1933) and 29 (1927). Wang Yeting, on the other hand, is renowned for his landscape paintings, particularly in the style of the four great landscape painters of the Qing dynasty known as the 'Four Wangs': Wang Shimin (1642-1715), Wang Hui (1632-1717), Wang Jian (1598-1677) and Wang Yuanqi (1642-1715). For examples of Wang Yueting's work see, ibid., pp. 124-145, nos. 33-43.

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