細節
楊英風
渴望
銅雕 雕塑
版數:2/9
1963年作
簽名:英風

出版
2005年《楊英風全集創作第一卷》藝術家出版社 台北 台灣 (圖版,第204頁)
2006年《楊英風─站在鄉土上的前衛》高雄市立美術館及財團法人楊英風藝術教育基金會 高雄 台灣 (圖版,第128頁)

《渴望》(Lot 1069)雕塑的是一隻優雅的梅花鹿,是來自於楊英風「書法」系列中最具代表性的創作之一。楊英風從書法中獲得靈感,轉化塑成三維雕塑。梅花鹿生動的輪廓和線條,形象尤似中國古代的甲骨文,一筆一畫都是以強有力的筆觸刻畫書寫而成。質樸而細膩,這隻梅花鹿有優美纖長的鹿角,其挺拔精實的身體展現無比的自信。從《渴望》中,觀賞者可以看到賦予雕塑生命力的青銅線條所帶來的力量、優雅與穿透力。此主題令人聯想到希望及信仰,而作品巧妙地反映著這些特性,向觀賞者及其周圍空間轉達一份永恆的典雅,輕巧及謙卑的氣質,象徵着楊英風的藝術生涯,《渴望》的另一版數於1964年贈與教宗教皇保祿六世,展開了他在義大利三年的雕塑探究之旅,同時見証了此作品於楊英風早期藝術歷程的重要性。
出版
Artist Publishing Co., Yuyu Yang Corpus, Taipei, Taiwan, 2005 (illustrated, p. 204).
Kaohsiung Museum of Fine Arts, Yuyu Yang Artistic and Educational Foundation, Yuyu Yang: Vanguard on Native Soil, Kaohsiung, Taiwan, 2006 (illustrated, p. 128).

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拍品專文

Adoration (Lot 1069), an elegant spotted deer, belongs to Yang's Calligraphy series, where he finds inspiration in calligraphy and transforms them three-dimensionally. The vivid outline of the deer resembles ancient Chinese logographic oracle bone script executed in energetic brushstrokes. Delicate yet somehow rustic-looking, the animal wears its beautiful long antlers and shows off its upstanding and lean body looking most confidently. From Adoration viewers see strength, finesse, and translucency from the bronze lines that give life to the sculpture. Its title suggests hope and faith, which the piece aptly reflects through an aura of eternal elegance, lightness and humility that is conveyed to its audience and surrounding. Emblematic to Yang's artistic career, another version of Adoration was presented to Pope Paul VI in 1964, marking the beginning of his three year sculptural journey in Italy, at the same time testifies the significance of this creation in Yang's early artistic career.

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