QI BAISHI (1863-1957)
白猴壽桃 設色紙本 鏡框

齊白石

細節
齊白石 白猴壽桃 設色紙本 鏡框

題識: 白石老人八十九歲。 鈐印:白石、人長壽
裱邊唐雲鈐印:大石齋

註: 齊白石用率真的手法,表現他匠心獨韻的意趣。於桃樹下的白猴,手裡捧起紅紅而又香氣馥郁的蟠桃,形象動作極富童真,意思更有趣味—‘壽且貴’。
仙桃素來象徵長壽,古代神話傳說中西王母曾經用玉盤盛著仙桃送給漢武帝,說這種桃子要三千年才能結一次果子,吃了能使人長生不老。因此在古代民間就常用桃子作為祝壽的禮物,亦有長壽之意,一直流傳至今。由於猴子極具靈性,又喜歡吃桃子,故猴和桃結下了不解之緣。據動物學家指出,一般猴子的毛色,有灰、褐、黑等多種,至於毛色純白的,是由於遺傳基因突變而產生的,出現的機率只有十萬分之一,故純白色的猴子素來極為稀有罕見。因此白猴在中國素來象徵吉星高照、幸運祥瑞,常以代表族群之首,亦因‘猴’與‘侯’的讀音相近而有封侯進爵之意。於白石老人傳世的畫作中,白猴屬不常畫的題材,更顯格外珍貴。以白猴為主題作品,另見香港佳士得2009年5月25日中國近現代畫拍賣,編號631。

榮譽呈獻

Yanie Choi
Yanie Choi

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拍品專文

Qi Baishi's paintings often hold a certain whimsical quality in their simple depiction of forms. In the present lot, Qi Baishi used traditional Chinese imagery to create a painting complex in meaning while maintaining his distinct, impressionable directness, and his ability to convey the essence of forms and ideas.
In this instance, an extremely rare white-haired monkey stands under a peach tree holding the fruit in hand, while her baby shyly hides behind her. This lively image bears multiple symbolic meanings: the peach traditionally represents immortality and the monkey represents success in office. In Daoist mythology, Xiwangmu, Queen Mother of the West, was said to have presented a peach of immortality, which grows only once every 3,000 years, to Emperor Wu of Han.
The pronunciations of the word monkey and official are the same in Chinese; therefore it can be used as a pun to imply the success in office and the promotion of rank. The white-haired monkey is a genetic mutation which happens once every hundred-thousandth birth and is considered to be an exceptionally auspicious symbol. While Qi Baishi rarely used monkeys as the subject of his paintings, the white-haired monkey is an even rarer example among his works, making the present lot an exceptional piece.
Compare to a very similar piece sold in our saleroom on 25 May 2009, Lot 631. It was dated to 1940, when Qi Baishi was 77. This current piece was painted at the age of eighty-nine, roughly around the year 1950, sees a further sophistication and assuredness in his strokes and composition, as well as Qi Baishi's signature well-balanced forms and reduction of strokes.

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