LI KERAN (1907-1989)
雨餘夕陽圖 設色紙本 鏡框 一九八三年作

李可染

細節
李可染 雨餘夕陽圖 設色紙本 鏡框 一九八三年作

題識:雨餘夕陽圖。一九八三年歲次癸亥 (1983年) 春三月。可染作于師牛堂。

註:本幅作品是“采一煉十”的一種樣式,畫中的景象不是某一具體地域具體角度的實景紀錄,而是對寫生素材的剪裁、誇張、重新組織,以實現感情化、理想化的意境創作。蒼翠的高山筆墨酣暢,元氣淋漓,整個畫面像蒙上了一層淡淡的薄霧,撲面而來雨後清新潤澤之氣。畫面左邊輕靈盤桓的雲霧成一條白線,在暗色調的畫面中黑中見白。而畫面中的民居是從生活中採集而來,但經過精心的安排,使之服從畫面的需求,生動又充滿筆墨情趣。雖是畫心中所想,但所表現是真山真水,令人有身臨其境的感覺。

榮譽呈獻

Yanie Choi
Yanie Choi

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拍品專文

The imagery of this painting is not a realistic rendering of a specific place and time, but an interpretation of a source material, one that underwent tailoring, exaggeration, and reorganization, created by an emotional and idealized state of mind. The verdant mountains fully manifest Li's rich and smooth brushstrokes. In this sumptuous atmosphere, the painting is veiled by a layer of thin mist, with light, fresh wind blowing after rain. Clouds and mists linger lively and weightlessly, forming a white strip to the left of the painting, thus accentuated by the dark-toned landscape imagery. The figures which Li observed from real life were carefully choreographed to give energy to the composition. Although a work of imagination, this painting presents a real landscape that easily immerses viewers into its environs.

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