LI KERAN (1907-1989)
山亭觀瀑圖 設色紙本 鏡框 一九七八年作

李可染

細節
李可染 山亭觀瀑圖 設色紙本 鏡框 一九七八年作

題識:山亭觀瀑圖。一九七八年可染畫。
又題:龍驤同志屬,畫請教正,可染再題。
鈐印:可染 (兩次)、日新、李下不整冠

註: 《山亭觀瀑圖》是李可染於1978年繪製。畫面題識表明是李可染送給龍驤先生的。此作筆法俊秀,雖施以重墨,但墨色變化自如。描繪層林的皴、擦、點、染功力深厚,大膽地將傳統的“積墨法”和自創的積色法結合起來,層層複加,使得色不礙墨,墨不礙色,色墨相交,融合為一。
李可染非常注重對景寫生,年輕時曾大量練習素描,功底紮實。他的作品構圖飽滿,視覺上給觀眾帶來凝練感。細細的瀑布從山上傾瀉而下,狹小之山徑向上伸至林中涼亭,為畫面增添趣味和動感。李可染的畫雖然設色沉重,但並不沉悶,隱約間透出深邃優雅的韻味。

榮譽呈獻

Yanie Choi
Yanie Choi

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拍品專文

Viewing the Waterfalls was painted by Li Keran in 1978, dedicated to Longxiang. It demonstrates Li's superb use of heavy ink, as he boldly combined the traditional ink-accumulation method with his original colour-accumulation method in creating depth. His application of layering of ink and colour to depict the forest give the viewer a unique sense of perspective and depth that is distinctive to the artist, revealing his training in both western and traditional Chinese methods of landscape painting.
Li's training in sketching stood him in good stead for his future compositions which were often rich and dense. Yet the waterfall and the path leading to the pavilion amidst the forest create delight and motion to the serene landscape. His colour is on the dark side, infusing a profound charm to an atmosphere that exudes tranquility and serenity.

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