細節
伍步雲
沙田
油彩 畫布
1970年作
簽名︰伍步雲
出版
2001年《伍步雲的藝術》Cantra有限公司 多倫多 加拿大
(圖版,第790圖,第296頁)

自1961年,伍步雲為了解中國傳統繪畫而加入庾子畫會,更嘗試練習國畫以
了解傳統繪畫筆法,試圖把中國筆法融入油畫中。從1962年,伍氏開始以短
促明快的筆觸繪畫油畫,更以黑色線條勾勒出景物。作於1970年《沙田》
(Lot 1146)以鳥瞰式透視構圖,把廣闊的景致收進畫中,茂盛的樹林,階梯
上的行人,寧靜的村落,呈現生機勃然的沙田郊野,筆觸充滿活力,色彩明
快,更見藝術家以綠、橘、黃相互補色,表現戶外的光線變化,深淺不一的
黑色線條突顯立體空間的深度。
在油畫創作上,余本同樣作過許多嘗試,也拿過毛筆在宣紙上畫中國水墨
畫。這樣做並非想成為一個國畫家,而是希望能更好去借鏡傳統山水畫的技
法,在油畫民族化中邁出自己的步伐。余本《風景》(Lot 1158)的構圖貼近
中國傳統繪畫的散點透視,從山路,穿過叢林,跨過遠山,甚至飛越重重山
脈,穿梭雲霧。余本成功以油畫技巧結合中國水墨畫構圖的優點,把遼闊的
景致收入畫中,表現無邊無際的大自然,更透露藝術家遠大的胸襟和志向。
為了呈現大自然複雜的光線和色彩變化,余本以不同色調的綠色,通過明快
的筆觸,相互補色,形成壯麗的風景。
出版
Cantra Limited, Ng Po Wan: The Man & His Art, Toronto, Canada, 2001 (illustrated, plate 790, p. 296).

拍品專文

Having joined "Gengzi Art Club" to have acquaintance with traditional Chinese painting, Ng Po Wan started practicing Chinese art since 1961 to understand and equip himself with the skills of brushworks in classical painting and attempted to employ Chinese brushworks in oil paintings. Since 1962, Ng has painted with short and concise brushstrokes in oil painting and outlined the contour of objects in black. The work View of Shatin (Lot 1146) was created in 1970. Painted in aerial perspective, the painting captures a wide view of landscape. Leafy trees and passersby on the steps next to a peaceful village, Shatin countryside bursts with vitality. Apart from delighted brushstrokes and bright hues, the artist applies complementary colours such as green, orange and yellow to present the change of light. Black lines in different darkness emphasize the depth of space.

Yee Bon is another artist who made many attempts and experimented with Chinese ink on Chinese rice paper with Chinese writing brush when creating oil painting. To Yee Bon, the reason of doing this is not to become a Chinese art painter but to transfer the techniques in traditional Chinese ink painting to oil painting in order to establish the nation's own artistic characters. The composition of Yee Bon's Landscape (Lot 1158) is close to the multi-point perspective in traditional Chinese painting, unrolling from pathways in the mountain through the woods, crossing miles of mountains far away and going beyond the clouds. Yee Bon successfully incorporated the composition technique in Chinese ink painting into oil painting to depict a wide angle of view on canvas and to capture the nature without boundary. It demonstrates the artist's open mind and aspirations. Yee Bon uses different tones of green colour to delineate the complicated rays of light and the change of colour in nature. Via delighted and sharp brushstrokes, the green colours complement each other and render the brilliant scenery.

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