細節
張萬傳
靜物;及魚
油彩 麥克筆 紙板;及油彩 麥克筆 紙本 裱於紙本
1982年及1981年作
《靜物》簽名:CHANG 萬
《魚》簽名:CHANG 萬傳
來源
現藏者直接購自藝術家本人


張萬傳在《靜物》(Lot 1166) 強調了色彩的表現性,大膽地以紅、綠兩色為主,在互補色的對比下,各個物體皆在主色外以柔和的中間色調
平衡,桌面的大片黃色夾雜著粉紅色或在局部偏向黃綠色調,在巧妙的色彩穿插中,形成強烈卻相互協調的畫面。《魚》(Lot 1166) 採取俯
看的視角,下方的魚呈水平置於接近正圓形的盤子中,上方的魚與蔥段平行,魚尾至魚頭則形成了左上至右下的對角線,在看似平常的靜物
主題裡,張萬傳以簡化的幾何形體探究畫面的組構與事物的本質。
來源
Acquired directly from the artist by the present owner

拍品專文

Chang Wan-chuan emphasizes the expressiveness of colour in Still Life (Lot 1166). Bolding applying shades of red and green, he balances each object with complementary colours. The table is covered by yellow mostly, mingled with pink or olive in detailed parts, creating a strong and yet compatible scene. Fish (Lot 1166) painted from an elevated perspective shows one fish situated horizontally in an almost perfectly round plate while the fish above runs parallel to some scallions, forming a diagonal line from the upper left to lower right along the fish's head and tail. Much like the still life, Chang Wan-chuan carefully composes the painting to extract the essence of existence through simplified geometrical forms.

更多來自 中國二十世紀藝術日間拍賣

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