A RARE MING SANCAI GLAZED STONEWARE FIGURE OF GUANYIN
明十六世紀

三彩觀音坐像

細節
明十六世紀  三彩觀音坐像

觀音高螺髻,戴寶冠,面目秀美,身著衣裙帔帛,胸腿飾瓔珞,垂左足,抬右腿曲於岩座上,雙手按右膝,姿勢自在輕鬆。佛像施綠、淡褐、黃三色釉,局部飾黑彩。

Avery Brundage收藏同式三彩菩薩像一尊,見1974年東京出版Rene-Yvon Lefevre d’Argence著《Chinese,Korean and Japanese Sculpture from the Avery Brundage Collection》,圖版170號,書中並論述很多三彩佛像源自山西省,巴黎吉美國立亞洲藝術博物館亦收藏近似的佛像一尊;Avery Brundage的藏品並表現紐約大都會博物館收藏的1494年製陶瓷佛像的風格,該原型見1947年紐約出版W.Cox著《The Book of Pottery and Porcelain》第一冊,圖版151號。

其他例子包括香港藝術館藏1617年製明代三彩佛像,見T. Nguyet及S. Markbreiter著「Hong Kong in Transition, Opening of the New Hong Kong Museum of Art」,載《Arts of Asia》,1991年11-12月,84頁。以及三彩菩薩像一對,進行熱釋光測試後定年十五世紀初製造,2002年10月28日於香港佳士得拍賣,拍品792號。

此像源於巴黎盧芹齋舊藏,後由倫敦Christopher Bruckner收藏,再經紐約Weisbrod Chinese Art Ltd售出,成為美國私人收藏。1988年11-12月Michael B. Weisbrod, Inc《Chinese Ceramic Art, Innovation and Imitation, from the Neolithic Period through the Qing Dynasty》展覽中展出,圖錄編號41。
來源
CT Loo, Paris
Christopher Bruckner, London
Weisbrod Chinese Art Ltd, New York
An American private collection
展覽
Chinese Ceramic Art, Innovation and Imitation, from the Neolithic Period through the Qing Dynasty, Michael B. Weisbrod, Inc., Nov./Dec. 1988, illustrated and discussed in the Catalogue by J. May Lee, no. 41

榮譽呈獻

Aster Ng
Aster Ng

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拍品專文

A related sancai-glazed seated figure of Buddha is illustrated by Rene-Yvon Lefevre d'Argence, Chinese, Korean and Japanese Sculpture from the Avery Brundage Collection, Kondasha, Tokyo, 1974, fig. 170. In the catalogue description, the author writes, "The figure belongs to a large series, many of which have reportedly come from Shansi, and is very close to a Buddha now in the Musee Guimet. The Avery Brundage Collection example seems to continue the style of a pottery Buddha, dated 1494, in the Metropolitan Museum of Art." The dated figure in the Metropolitan Museum is illustrated by W. Cox, The Book of Pottery and Porcelain, Vol. 1, New York, 1947, pl. 151.

Compare also to several other massive sancai-glazed Ming figures, a Buddha dated 1617 in the Hong Kong Museum of Art, illustrated by T. Nguyet and S. Markbreiter, 'Hong Kong in Transition, Opening of the New Hong Kong Museum of Art', Arts of Asia, November-December 1991, p. 84; and a group of figures from the collection of Paul Huou Ming Tse, one of which is a Buddha, now in the Avery Brundage Collection, published by Paul Huou Ming Tse, Ta Kou Tchai, Preuves des Antiquites de Chine, Beijing, 1930. Two large standing figures of assistants to the Judge of Hell in the British Museum Collection, London are illustrated by J. Harrison-Hall, Ming Ceramics, London, 2001, pp. 541-543, nos. 19:3 and 19:4. Compare also a pair of sancai glazed figures of bodhisattvas dated to the early 15th century confirmed by the result of a thermoluminescence test, sold at Christie's Hong Kong, 28 October 2002, lot 792.

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