A SOUTH GERMAN GILTWOOD CONSOLE TABLE
PROPERTY FROM A PRIVATE ENGLISH COLLECTION (LOTS 184-192)
A SOUTH GERMAN GILTWOOD CONSOLE TABLE

ATTRIBUTED TO MICHEL FRESSANCOURT OR LOUIS ROGER, POSSIBLY AFTER DESIGNS BY PHILIPPE DE LA GUEPIERES, STUTTGART, CIRCA 1755

細節
A SOUTH GERMAN GILTWOOD CONSOLE TABLE
ATTRIBUTED TO MICHEL FRESSANCOURT OR LOUIS ROGER, POSSIBLY AFTER DESIGNS BY PHILIPPE DE LA GUEPIERES, STUTTGART, CIRCA 1755
The serpentine-fronted moulded Campan mélangé marble top above a pierced frieze carved with rockwork and flowerheads, with conforming sides, on foliate and C-scroll carved and pierced cabriole legs joined by shaped stretchers, centred by a perched bird and terminating in toupie feet, with partial blue-bordered paper label inscribed '30'
33¼ in. (84.5 cm.) high; 64¼ in. (163 cm.) wide; 28¾ in. (73 cm.) deep

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Caitlin Yates
Caitlin Yates

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拍品專文

Although undoubtedly inspired by the Louis XV 'pittoresque' style popularised by Pierre Contant d'Ivry (1698-1777) and Nicolas Pineau (d. 1754), the present console table relates to a group of consoles executed by Louis Roger and Michel Fressancourt (1700-1764) probably to designs by Philippe de la Guépières. As Court Architect to Duke Carl Eugèn von Württemberg (1728-1793), he was responsible for the refurbishment and extension of Schloss Ludwigsburg, the Duke's summer palace near Stuttgart.

The elaborately-carved opposing C-scrolled pierced legs, distinctive asymmetric rocaille cartouche and overall stylistic approach adopted here are reminiscent of the oeuvres of the two émigrés craftsmen at Ludwigsburg. Both can be credited for the execution of a number of richly-carved consoles in the so-called 'Altes Corps de Logis', the designs for which were probably supplied by de la Guépières (ill. in B. Franz, Die Französischen Möbel des 18. Jahrhunderts in Schloss Ludwigsburg, Schwetzingen, 1998, pp. 146-166, figs. 29-34). A related console table attributed to Louis Roger and possibly executed after designs by de la Guêpières was sold Christie's, London, 5 July 2001, lot 135.

The Duke is also recorded as having acquired a significant number of pieces in Paris between 1748 and 1791, mainly for Ludwigsburg. He also acquired French furniture and objets d'art through Baron von Thun, his ministre plénipotentiaire in the French capital, whose name appears in the Livre-Journal of the celebrated marchand-mercier Lazare Duvaux in regards to purchases of Sèvres porcelain.

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