A RARE ZITAN WAISTLESS 'FOUR-CORNER'S FLUSH' SIDE TABLE, SIMIANPING
PROPERTY FROM AN IMPORTANT PRIVATE MIDWESTERN COLLECTION
清初 紫檀四面平桌

17TH/18TH CENTURY

細節
紫檀木製。四面平式,面攢框鑲三板。四腿間裝羅鍋棖。方腿,內翻馬蹄。

四面平桌為案桌類中線條最簡練的設計,造型典雅大方,加上四平八穩的結構,十分耐用。然而紫檀製造的例子極為罕見。此式傢具應源自箱形結構,臺北故宮博物院藏一幅傳為宋代繪畫《十八學士圖》,正中描繪一張四面平式素足長桌,堪為早期例證,見1996年台北出版《畫中家具特展》,圖錄圖版19號。這式設計至明代仍非常流行。另見一張清初黃花梨例子,2008年9月17日於紐約佳士得拍賣,拍品157號。

此品1995年源自香港嘉木堂,著錄於《Ming Furniture》圖錄,編號3;
以及載於2002年香港出版S. Leece、M. Freeman合著《China Style》,59頁。
來源
Grace Wu Bruce, Hong Kong, 1995.
出版
Grace Wu Bruce, Ming Furniture, Hong Kong, 1995, no. 3.
Sharon Leece and Michael Freeman, China Style, Hong Kong, 2002, p. 59.

榮譽呈獻

Christopher Engle
Christopher Engle

拍品專文

The simianping, or 'four-corner's flush' form, is amongst the most attractive forms found in Chinese furniture construction. It relies on the simplicity of its lines and figure of the wood for its beauty, and the present table is a superb example of this successful combination. It is also a surprisingly durable form, although extant examples, particularly in zitan, seem to be quite rare. Furniture of simianping form is likely derived from the earlier method of box-construction, and it became a much revered form during the Ming dynasty. For an illustration of a Song dynasty prototype of this form, see Special Exhibition of Furniture in Chinese Paintings, The National Palace Museum, Taipei, 1996, pp. 50-1, no. 19. Compare, also, a huanghuali table of similar form and size, sold by Christie's, New York, 17 September 2008, lot 157, where it was also dated to the 17th/18th century.

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