A MAGNIFICENT PAIR OF CARVED WHITE JADE 'CHICKEN' BOWLS
A MAGNIFICENT PAIR OF CARVED WHITE JADE 'CHICKEN' BOWLS
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蜜麗羅傑斯—潮流、高雅的代言人 美國石油大亨亨利羅傑斯(Henry Huttleston Rogers)的孫女及繼承人、社交名媛蜜麗羅傑斯(Millicent Rogers, 1902-1953年)常被視作潮流的指標。她的美貌、成熟而灑脫的獨特風格讓她成為優雅和高貴的象徵。她最廣為人知的是時尚奢華的生活方式,以及她多位有名的丈夫和情人,包括著名影星奇勒基寶(Clark Gable) 、經典間諜片鐵金剛007作者伊恩弗萊明(Ian Fleming)、著名英國兒童文學家羅爾德達爾(Roald Dahl)。她也是一個熱誠的旅行家、慈善家,以及獨具慧眼的藝術品收藏家。 佳士得非常榮幸能為蜜麗羅傑斯的精美玉器和瓷器舉槌。這些精品只是她中國藝術品收藏中的一小部份,其中包括她的好友蔣介石夫人的禮物。這些藏品一直由她家族保管至今。
清十八世紀 白玉雕天倫圖盌一對

QING DYNASTY, 18TH CENTURY

細節
盌直口,斜腹,平底,底承五乳釘足。內壁光素無紋飾,外壁淺浮雕山石清秀,松桐映掩,芭蕉如傘,雞冠搖曳,兩隻雄雞或回望、或昂首看著覓食中的母雞,一派安逸的盛世景象。

此器應由同一塊料雕琢而成,其器形及紋飾甚有明代成化雞缸盃的韻味。由宋代開始已有雞為題材入畫,文人從這些弱小生命裏感悟人生哲理、道德倫理及藝術情趣。

此器源自蜜麗羅傑斯收藏,一直在家族中流傳至今。
來源
Millicent Rogers (1902-1953) and thence by descent to the present owner

榮譽呈獻

Nick Wilson
Nick Wilson

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拍品專文

Jade bowls carved with the chicken motif are extremely rare. This pattern seems to have been inspired by the popular doucai 'chicken' cups in porcelain, which first gained prominence during the Chenghua period in the Ming dynasty, and continued to be highly sought after and copied during the Qing period. The Percival David Foundation Collection has two chicken cups from the Chenghua and Kangxi periods, both enamelled with cockerels in a garden scene similar to the scenes on the current bowls, and illustrated by Rosemary Scott, Percival David Foundation of Chinese Art. A Guide to the Collection, London, 1989, no. 79. The same collection has a chicken cup decorated with cockerels and a boy and inscribed with a poem by the Qianlong Emperor, illustrated by Rosemary Scott, Illustrated Catalogue of Qing Enamelled Ware in the Percival David Foundation of Chinese Art, London, 1991, no. A827.

A related jade bowl carved with a similar theme of a boy and cockerels in a garden scene was sold in Los Angeles, 11 June 1975, lot 567, then at Sotheby's New York, 25 February 1983, lot 285 and Christie's Hong Kong, 27 April 1997, lot 9. It was later illustrated in The Splendour of Jade. The Songzhutang Collection of Jade, Hong Kong, 2011, no. 99.

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