A PAIR OF WHITE JADE QUAIL-FORM BOXES AND COVERS
清乾隆 白玉鵪鶉蓋盒一對

QIANLONG PERIOD (1736-1795)

細節
圓雕卧形鵪鶉式。鵪鶉短頸,團身,圓眼,尖啄,身上琢有長短不一的翎毛,身內挖為空膛,分上下兩層,翅下有一周子母式盒口,可開啟。白玉質帶皮。

鵪鶉是宮廷常用的圖案和器物造型,寓平安之意。鵪鶉一對,則象徵「雙安」。北京故宮博物院藏白玉鵪鶉蓋盒一件,見1991 年石家莊出版《中國玉器全集.6.清》,圖版106 號。另見一對白玉例子於香港藝術館1983 年舉辦敏求精舍展覽《中國玉雕》中展出,圖錄圖版196 號;黃玉雕鵪鶉蓋盒一對,見1989 年華盛頓出版《Chinese Jades from the Collection of the Seattle Art Museum》,圖版73號。

此器2006 年6 月14 日於巴黎佳士得拍賣,拍品55號。
來源
Sold at Christie's Paris, 14 June 2006, lot 55

榮譽呈獻

Nick Wilson
Nick Wilson

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拍品專文

Quails are considered auspicious birds as their name an provides the homophone for 'peace'. Two quails can be read as shuang'an, or 'double peace', and thus, these birds often appear as pairs on paintings, porcelains and textiles from as early as the Song dynasty.

Compare to pairs of quail boxes of this type: the first of white jade, illustrated by Ip Yee, Chinese Jade Carving, Hong Kong Museum of Art, 1983, no. 196; a pair carved from brownish-yellow jade, illustrated by James Watt, Chinese Jades from the Collection of the Seattle Art Museum, Washington, 1989, no. 73; a white jade pair from the collections of T.Y. Chao and Alan and Simone Hartman, sold at Christie's Hong Kong, 30 November 2011, lot 3029; and another similar pair sold at Christie's Hong Kong, 30 May 2012, lot 4110.

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