A CARVED YELLOW-ENAMELLED BRUSH POT
A CARVED YELLOW-ENAMELLED BRUSH POT
1 更多
清道光 陳國治作黃釉雕鷹犬圖筆筒

DAOGUANG PERIOD (1821-1850)

細節
器圓筒狀。通體施黃釉。外壁浮雕雄鷹憩於松樹上,與對岸靈犬相望。足內陰刻「陳國治造」楷書款。

陳國治是安徽祈門人,清道光、咸豐年間景德鎮雕瓷名工。將瓷雕與釉色相結合,其仿木、仿竹、仿象牙之製,尤其神似。

瑞士包爾珍藏一件陳國治作松石綠釉竹林七賢圖筆筒,足內陽刻篆書「大清道光陳國治作」,著錄於1999 年日內瓦出版J. Ayers 著「Chinese Ceramics in the Baur Collection」第二冊,246-7頁,圖版340號。另見北京故宮博物院藏一件黃釉仿竹雕筆筒,足內陰刻「道光年製」楷書款,著錄於1999年香港出版故宮博物院藏文物珍品全集《顏色釉》,55頁,圖版49號,該筆筒口沿與此器皆飾竹纖維紋。

此器2009 年購自J.J. Lally & Co。
來源
J.J. Lally & Co., 2009

榮譽呈獻

Nick Wilson
Nick Wilson

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拍品專文

Chen Guozhi was one of the finest of a small group of independent ceramicists, that included Wang Binrong and Li Youcheng, working in Jingdezhen in the early-mid 19th century who signed their important pieces. Compare to a turquoise-glazed relief-decorated porcelain brush pot bearing the mark, Da Qing Daoguang Chen Guozhi zuo, illustrated by J. Ayers, Chinese Ceramics in the Baur Collection, vol. 2, Geneva, 1999, pp. 246-7, no. 340; and a yellow-enamelled brush pot with a scene of landscape and figures bearing Daoguang mark in the Palace Museum, Beijing, illustrated in The Complete Collection of Treasures of the Palace Museum, Monochrome Porcelain, Hong Kong, 1999, p. 55, no. 49, which has the finely worked details on the rim to imitate bamboo like the present lot.

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