A FINE MING-STYLE COPPER-RED DECORATED 'THREE FISH' BOWL
A FINE MING-STYLE COPPER-RED DECORATED 'THREE FISH' BOWL
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清雍正 釉裏紅三魚紋盌 雙圈六字楷書款

YONGZHENG SIX-CHARACTER MARK WITHIN DOUBLE CIRCLES AND OF THE PERIOD (1723-1735)

細節
盌撇口,淺弧腹,圈足。外壁釉裏紅繪三魚紋。底青花書「大清雍正年製」楷書款。

釉裏紅三魚紋飾源自明初釉裏紅器,參考一件紋飾近似的宣德款小盌,曾展出於香港藝術館1989年舉辦《景德鎮珠山出土永樂宣德官窯瓷器展覽》,圖錄編號75。宣德釉裏紅三魚紋較多見於高足盃。

參考其他雍正款三魚紋盌的著錄例子。日本梅澤記念館收藏一件較大盌(口徑22.3公分),載於1983年東京出版《世界陶磁全集.15.清》,圖版39。另一稍大例子(口徑15.2公分),2011年6月1日於香港佳士得拍賣,拍品3917號。南京博物院收藏一例,大小與本盌相若,曾展出於香港中文大學文物館1995年舉辦展覽《清瓷萃珍—清代康雍乾官窰瓷器》,圖錄編號49。

此器1988 年3 月5 日於阿姆斯特丹佳士得拍賣。後由歐洲私人收藏。
來源
Sold at Christie's Amsterdam, 5 March 1988, lot 62 (one of a pair)
A European private collection formed in the 1980s and 1990s

榮譽呈獻

Nick Wilson
Nick Wilson

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拍品專文

Ever since its first use on Imperial porcelains of the Yuan and early Ming dynasty, copper-red decoration was a challenge for the potter to create with any degree of consistency. The copper-red decoration on the current bowl has been successfully fired to a particularly even and bright red tone which appears to float within the thick transparent glaze. The design is taken from early 15th century prototypes, such as the small rounded bowl with Xuande mark, included in the Exhibition of Imperial Porcelain of the Yongle and Xuande Periods Excavated from the Site of the Ming Imperial Factory at Jingdezhen, Hong Kong Museum of Art, 1989, illustrated in the Catalogue, no. 75. The motif, however, is more often found on stem bowls.

Yongzheng bowls of this type appear to vary considerably in size. A slightly larger Yongzheng bowl (22.3 cm. diam.) of this design is illustrated in Sekai Toji Zenshu, Tokyo, 1983, vol. 15, pl. 39. Another slightly larger bowl (15.2 cm. diam.) of this design was sold at Christie's Hong Kong, 1 June 2011, lot 3917. A bowl of identical size to the present example from the Nanjing Museum, was included in the exhibition, Qing Imperial Porcelain of the Kangxi, Yongzheng and Qianlong Reigns, The Chinese University of Hong Kong, 1995, illustrated in the Catalogue, no. 49 where it is illustrated with two other variations of auspicious symbols found on this type of bowl. The first is designed with three fruits replacing the fish, as on the present bowl, forming the 'Three Abundances' of longevity, wealth and progeny. The other is with five bats providing the imagery of the 'Five Blessings': old age, health, wealth, love of virtue and a peaceful death. Another similar example decorated with fish was exhibited at the Museum of Fine Arts, Boston, The Charles B. Hoyt Collection Memorial Exhibition, 1952, illustrated in the Catalogue, no. 446.

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