A CANTON ENAMEL 'EUROPEAN FIGURES' VASE
清乾隆 銅胎畫琺瑯西洋人物夔龍耳瓶

QIANLONG PERIOD (1736-1795)

細節
瓶喇叭口,束頸,豐肩,腹下漸歛,足外撇。腹部兩面開光,內繪西洋風景人物圖,開光周邊及頸部均錘鍱洛可可式鎏金蔓草紋,間飾畫琺瑯番花紋,頸部兩側置紫紅彩夔龍耳。肩部飾一周變形回紋,下承一圈如意雲頭,足牆飾蕉葉紋。瓶內、底部施松綠釉。

此瓶紋飾帶濃烈西方色彩,西洋風景人物開光襯托洛可可式蔓草番花紋,對比鮮明,相映成趣,顯然受歐洲畫琺瑯及油畫的影響,為典型的廣東畫琺瑯地方風格。清宮舊藏一件紋飾相似的乾隆款海棠式瓶,見2002 年香港出版故宮博物院藏文物珍品全集《金屬銅胎琺瑯器》,圖版215號。臺北故宮博物院
藏一對乾隆款廣東畫琺瑯方瓶及一對海棠式盒,同樣飾開光西洋人物及錘鍱卷草紋,載於施靜菲著2012年台北出版《日月光華:清宮畫琺瑯》,編號159、168。另見一件類似的畫琺瑯圓腹瓶,2009 至2010年於聖彼得堡埃爾米塔日博物館《Enamels of the World 1700-2000. The Khalili Collection》展覽中展出。

榮譽呈獻

Nick Wilson
Nick Wilson

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拍品專文

The present vase, decorated with predominantly European motifs juxtaposed with Chinese decorative elements, is characteristic of Canton enamel wares made during the 18th century, which are inspired by contemporaneous European enamels and oil paintings. Several Canton enamel wares similarly decorated with European figures or landscapes framed by Rococo-style scrolls have been published, including a Qianlong-marked quatrelobed vase with similar landscape cartouches reserved on a flowerhead-shrewn scrolling ground, in the Qing Court Collection and illustrated in Metal-bodied Enamel Ware, The Complete Collection of Treasures of the Palace Museum, Hong Kong, 2002, no. 215; a baluster vase of similar design, exhibited in Enamels of the World 1700-2000. The Khalili Collection, State Hermitage Museum, St Petersburg, 2009-2010; a pair of Qianlong-marked square vases enamelled with European figures in cartouches, and a pair of Qianlong-marked quatrelobed boxes bearing similar designs, both in the National Palace Museum, and illustrated in Radiant Luminance: The Painted Enamelware of the Qing Imperial Court, Taipei, 2012, figs. 159 and 168.

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