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拍品專文
The theme of 'boys' became a favoured theme in Southern Song paintings, particularly by the Academy painter, Su Hanchen (active early 12th century). The Southern Song depiction of children with characteristic shaven heads, rounded faces and wide eyes evidently continued into the Ming period as can be seen from the children painted on the present jar. The theme of 'children at play' or 'a hundred boys' became symbolic of progeny and fulfillment of the Confucian ideal in the education, and advancement of sons.
The imagery was especially appropriate to the Jiajing Emperor. Being a devout Daoist and particularly concerned with producing male heirs. It was recorded in the Ming Shi, 'Ming History' that Emperor Jiajing had commissioned for a Daoist rite to take place in the Imperial Garden in the eleventh year of his reign (1532) for the intended purpose of praying for the birth of imperials sons. Boxes painted with boys were good auguries for the emperor and highly regarded, such as the current box.
The imagery was especially appropriate to the Jiajing Emperor. Being a devout Daoist and particularly concerned with producing male heirs. It was recorded in the Ming Shi, 'Ming History' that Emperor Jiajing had commissioned for a Daoist rite to take place in the Imperial Garden in the eleventh year of his reign (1532) for the intended purpose of praying for the birth of imperials sons. Boxes painted with boys were good auguries for the emperor and highly regarded, such as the current box.