A VERY RARE RU-TYPE GLAZED CONG-FORM VASE
A VERY RARE RU-TYPE GLAZED CONG-FORM VASE
A VERY RARE RU-TYPE GLAZED CONG-FORM VASE
2 更多
孔祥熙(1880-1967),字庸之,號子淵,生於 山西太谷縣一個亦商亦儒的家庭。祖籍山東 曲阜,孔子的第75 世孫。 孔公致力推動教育,1910 年代自美國歐柏林學 院及耶魯大學學成歸國後,於家鄉山西太谷縣 辦學,培育英才,冀以教育強國。但其最初的 從教生涯因清末政治動盪而終結。而後從政, 旅居日本期間與「宋氏三姊妹」之長姊宋藹 齡(1889-1973)相識,並於1914 年成婚。其後 與孫中山、蔣介石成為「連襟」。 孔氏夫婦學養深厚,眼光獨到,所藏珠寶、 翡翠、中國書畫及藝術精品,堪為現代中國 史上之重要收藏。
清乾隆  仿汝釉琮式瓶  六字篆書款

QIANLONG SIX-CHARACTER SEAL MARK IN UNDERGLAZE BLUE AND OF THE PERIOD (1736-1795)

細節
琮式瓶於明清之際又成「蓍草瓶」,為插儲卜卦所
用蓍草而得名,亦可插花。如龍泉窯青釉琮式瓶,
即於晚明高濂所著《遵生八箋 — 燕閑清賞箋》一
書中被用於插花:「如堂中插花……龍泉蓍草大方
瓶,……或置幾上,與堂相宜。」
此瓶全器滿施仿汝釉,釉質肥厚,工藝考究,不為
多見。瓶背上方有兩組對稱的象鼻穿眼,兩側足牆
留有方形穿帶,為穿綁皮帶固定之用。高濂《遵生
八箋》於「瓶花之忌」一文中稱,「官、哥古瓶,
下有二方眼者,為穿皮條系於幾足,不令失損。」。
帶穿眼的琮式瓶極為罕見,暫見另一例子,器形與
尺寸與本瓶一樣,罩仿哥釉,同樣有兩組象鼻穿眼
及乾隆篆書款,2002 年4 月29 日於香港佳士得拍賣,
拍品665 號。另外有兩件乾隆仿官釉琮式瓶,器上模
印紋飾與本 一樣,但瓶背沒有穿眼,一件為卡爾.
坎普舊藏,2011 年12 月15 日於巴黎蘇富比拍賣,拍
品98 號;另一件2011 年6 月7 日於巴黎蘇富比拍賣,
拍品197 號。
此瓶器形及紋飾與台北國立故宮博物院藏一件青釉
琮式瓶大致相同,惟台北例子尺寸較小及不帶穿眼,
見2014 年台北出版《瓶盆風華:明清花器特展》,
圖版II-09。器形亦與北京故宮所藏爐鈞釉琮式瓶相
似(參見《中國陶瓷全集15 — 清》下,上海人民美
術出版社,2000 年,圖115)。
來源
孔祥熙家族珍藏

拍品專文

This gracefully proportioned and richly glazed vase is an imitation of Song dynasty vases of the same form which in turn are modelled archaic jade cong from the Neolithic period. For a Guan vase of cong shape dating to the Southern Song dynasty, in the of Tokyo National Museum, refer to Oriental Ceramics, The World's Great Collections, vol. 1, Kodansha series, Tokyo, 1976, col. pl. 13. The present vase with its attractive greyish-blue glaze probably found its inspiration from the Northern Song Ru ceramics rather than those of the Southern Song Guan wares. The decorative form of the present vase, with its unusual moulded inverted U-shaped design on each facet and the additional apertures, is particularly rare. On many archaistic ceramic forms of the Qing period, perforations are applied on outer side of the circular foot in imitation of archaic bronze shapes, such as those found in Guan-glazed hu-shaped vases from the Song dynasty. It can be argued that for tall hu-shaped vases these apertures probably served the purpose of stabilising their slimmer profile, however, with the sturdier cong shapes this feature seemed oddly unnecessary. A comparable example of this exact same size and design, covered with a Ge-type glaze was sold at Christies Hong Kong, 29 April 2002, lot 665. Two other Guan-glazed Qianlong-marked vases of this same moulded design are known. The first with perforations on outside of the ring foot, from the Carl Kempe Collection, was sold at Sothebys Paris, 15 December 2011, lot 98; and the other without any apertures was sold at Sothebys Paris, 7 June 2011, lot 197. Related examples of cong-shape but moulded with trigrams are known such as the Qianlong-marked Ge-glazed vase illustrated by Peter Y.K. Lam, Ethereal Elegance, Porcelain Vases of the Imperial Qing, The Huaihaitang Collection, Art Museum, The Chinese University of Hong Kong, 2007, pp. 172-173, no. 45; and an another from the Edward T. Chow Collection, was sold at Sothebys Hong Kong, 19 May 1981, lot 503.

更多來自 中國宮廷御製藝術精品<br />重要中國瓷器及工藝精品

查看全部
查看全部