AN EXCEPTIONAL AND EXTREMELY RARE BLUE AND WHITE MING-STYLE MOONFLASK
AN EXCEPTIONAL AND EXTREMELY RARE BLUE AND WHITE MING-STYLE MOONFLASK
AN EXCEPTIONAL AND EXTREMELY RARE BLUE AND WHITE MING-STYLE MOONFLASK
2 更多
AN EXCEPTIONAL AND EXTREMELY RARE BLUE AND WHITE MING-STYLE MOONFLASK
5 更多
PROPERTY FROM THE LESHANTANG COLLECTION
清雍正  青花花鳥圖雙耳抱月瓶

YONGZHENG PERIOD (1723-1735)

細節
瓶身直口收頸,繪竹葉紋於其上;肩部及脛部分繪五
出葉紋相對應,腹部兩面分繪白頭翁鳥立于梅枝、桃
莖之上,姿態各異。底部露胎與永樂器相同,故不落
款,惟前後合胎方式與明初上下接胎工藝相異。所繪
青花點染,仿永樂蘇麻離青料之鐵銹斑效果,施釉肥
厚,白中泛青,為雍正官窯仿永樂青花之佳作。
存世的永樂原型有兩件,尺寸較大(30 公分高),一
藏台北故宮博物院,著錄於《故宮藏瓷 — 明青花瓷
(一).洪武永樂》香港,1963 年,圖版9、9a;
另一藏倫敦大維德基金會,現展於大英博物館,
載於蘇玫瑰著《Elegant Form and Harmonious Decoration:
Four Dynasties of Jingdezhen Porcelain》倫敦,1992 年,
圖版29 號。
目前僅知另外一件尺寸相同的例子,藏於荷蘭呂伐
登國立公主陶瓷博物館,著錄於D. Lion-Goldschmidt 著
《Ming Porcelain [ 明代瓷器]》,弗里堡,1978 年,圖
版13 號,書中作者對其明代定年存疑,館方現今亦
將之定年為雍正。尚知一件雍正無款例子,尺寸接近
永樂原型,先後為Richard de la Mare、蘇林庵及玫茵堂
收藏,後於香港蘇富比2011 年4 月7 日,拍品76 號。
另知近似的雍正青花花鳥圖抱月瓶二例,尺寸較大
(36.5 公分高),腹一面繪喜鵲登梅,另面繪枇杷綬
帶鳥,一件底磨款,曾為張宗憲先生舊藏,後著錄於
《莊紹綏中國瓷器收藏》,香港,2009 年,圖版34 號;
另一件底書雍正六字篆書款,藏於北京故宮博物院,
載於故宮博物院藏文物珍品全集《青花釉裏紅(下)》
圖版97號。
來源
香港蘇富比,1997 年11 月5 日,拍品1371 號
出版
The Leshantang Collection of Chinese Porcelain, Taipei, 2005, pl. 29

展覽
《樂山堂藏瓷》,台北,2005 年,圖版29 號

拍品專文

The present rare moonflask follows faithfully the design of those in the early Ming, Yongle period, and are very comparable to two examples: the first in the National Palace Museum Collection, illustrated in Blue-and-White Ware of the Ming Dynasty, Book I, Hong Kong, CAFA, 1963, pp. 58-59, pls. 9, 9a and 9b fig. 1; and the other in the Percival David Foundation, housed at the British Museum, illustrated by R. Scott, Elegant Form and Harmonious Decoration Four Dynasties of Jingdezhen Porcelain, London, 1992, p. 42, no. 29. The decoration of the single bird perched on a branch on each side of the compressed body with bamboo sprays on the splayed neck shares resonance of the Ming prototype, with the exception that the Ming flasks are slightly larger at 30 cm. high.

The only comparable example of this same small size is in the Princessehof National Museum of Ceramics, Leeuwarden, illustrated by D. Lion-Goldschmidt, Ming Porcelain, Fribourg, 1978, p. 47, no. 13, where the author questioned its 15th century dating, and is currently dated by the museum as Yongzheng period. Another unmarked Yongzheng example of similar height to the Yongle prototype is known, formerly in the collections of Richard de la Mare, Su Lin An and Meiyintang, and subsequently sold at Sotheby's Hong Kong, 7 April 2011, lot 76. Revival of this bird-on-branch motif also appeared in the Yongzheng period with known larger examples in the collection of Robert Chang, sold at Christie's Hong Kong, 2 November 1999, lot 521, with an effaced reign mark, now in the Alan Chuang Collection, illustrated in The Alan Chuang Collection of Chinese Porcelain, Hong Kong, 2009, p. 113, no. 34 (36.5 cm. high); and in the Palace Museum Collection, illustrated in Blue and White Porcelain with Underglaze Red (III), The Complete Collection of Treasures of the Palace Museum, Hong Kong, 2000, p. 111, no. 97 (fig. 2), 36.5 cm. high with a six-character Yongzheng mark in underglaze blue. Interestingly, both these larger flasks are designed with pairs of birds on branches and have straight cylindrical necks whilst the present flask is closer in style to the Ming version.

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