LASZLO MOHOLY-NAGY (1895-1946)
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LASZLO MOHOLY-NAGY (1895-1946)

Oskar Schlemmer in Ascona, 1927

細節
LASZLO MOHOLY-NAGY (1895-1946)
Oskar Schlemmer in Ascona, 1927
tirage argentique
signé au crayon, cachet 'Oskar Schlemmer' (au verso)
image 16.7 x 12.3 cm. (6 ½ x 4 7/8 in.)
注意事項
ƒ: In addition to the regular Buyer’s premium, a commission of 5.5% inclusive of VAT of the hammer price will be charged to the buyer. It will be refunded to the Buyer upon proof of export of the lot outside the European Union within the legal time limit. (Please refer to section VAT refunds)
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GELATIN SILVER PRINT; SIGNED IN PENCIL, 'OSKAR SCHLEMMER' 'S STAMP ON THE VERSO.

拍品專文

Laszlo Moholy-Nagy et Oskar Schlemmer se rencontrent à Weimar et font partie du Bauhaus. Oskar Schlemmer dirige la section théâtre. L'influence de Moholy-Nagy amène Schlemmer à diriger ses cours de théâtre pour se rapprocher le plus possible de la figure humaine et la forme pure. Il considère que la forme a un pouvoir de révélation métaphysique. L'homme est une création mécanique et mathématique qui doit former un tout avec son expression psychique.

Laszlo Moholy-Nagy and Oskar Schlemmer met in Weimar and were both associated with the Bauhaus school. Oskar Schlemmer was in charge of the theatre workshop. The influence of Moholy-Nagy led Schlemmer to orientate his theatre lessons closer to the human figure in space and pure forms. He considered that the form had the ability of metaphysical revelation and that the human is a mechanical and mathematical creation that must form a whole with its physical expression.

更多來自 Shalom Shpilman為Shpilman攝影藝術學院籌募之攝影典藏

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