JEAN-JACQUES CAFFIERI (1725-1792), PARIS, 1761
JEAN-JACQUES CAFFIERI (1725-1792), PARIS, 1761
JEAN-JACQUES CAFFIERI (1725-1792), PARIS, 1761
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This lot will be removed to Christie’s Park Royal.… 顯示更多 COLLECTION OF THE LATE COMMANDANT PAUL LOUS WEILLER
JEAN-JACQUES CAFFIERI (1725-1792), PARIS, 1761

PEACE HOLDING OUT AN OLIVE BRANCH

細節
JEAN-JACQUES CAFFIERI (1725-1792), PARIS, 1761
PEACE HOLDING OUT AN OLIVE BRANCH
Limestone figure
Signed and dated J.J. Caffieri/ .1761.; on a modern limestone base
68 ½ in. (174 cm.) high; 78 ½ in. (199 cm.) high, with the base
出版
COMPARATIVE LITERATURE:
J. Guiffrey, Les Caffiéri: Sculpteurs et fondeurs-ciseleurs, Paris, 1877.
注意事項
This lot will be removed to Christie’s Park Royal. Christie’s will inform you if the lot has been sent offsite. Our removal and storage of the lot is subject to the terms and conditions of storage which can be found at Christies.com/storage and our fees for storage are set out in the table below - these will apply whether the lot remains with Christie’s or is removed elsewhere. Please call Christie’s Client Service 24 hours in advance to book a collection time at Christie’s Park Royal. All collections from Christie’s Park Royal will be by pre-booked appointment only. Tel: +44 (0)20 7839 9060 Email: cscollectionsuk@christies.com. If the lot remains at Christie’s it will be available for collection on any working day 9.00 am to 5.00 pm. Lots are not available for collection at weekends.

拍品專文

In 1748 Caffieri won the prestigious Prix de Rome and became a full member of the Académie Royale in Paris in 1759. The present full-length figure is an unrecorded early work, proudly signed by the artist, which sensitively depicts the female figure of Peace offering an olive branch in her left hand, whilst in her other hand she grasps a caduceus, the symbol of a messenger who was always granted peaceful passage. In the same year Caffieri exhibited a comparable statue of a standing female figure, of the Erythrean Sibyl, at the Salon, which is today in the Musee du Louvre. Caffieri's undeniable talent saw him surpass Lemoyne in his skillful handling of marble, and later rival Houdon in the making of portraits of the most famous figures of the age. Caffieri was appointed sculpteur du Roi to Louis XV and carved a celebrated portrait of Madame du Barry.

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