Zinaida Serebriakova (1884-1967)
Artist's Resale Right ("Droit de Suite"). Artist's… 顯示更多 PROPERTY FROM AN IMPORTANT COLLECTION, SWITZERLAND
Zinaida Serebriakova (1884-1967)

Still life with sweet chestnut, field scabious, ground elder and black salsify

細節
Zinaida Serebriakova (1884-1967)
Still life with sweet chestnut, field scabious, ground elder and black salsify
signed 'Z. Serebriakova' (lower right)
oil on canvas
28 ¾ x 21 ½ in. (73 x 60 cm.)
來源
From an important private collection, France; Sotheby's, London, 12 June 2007, lot 97.
Acquired at the above sale by the present owner.
出版
P. Pavlinov, Zinaida Serebriakova. Mir ee iskusstva [The world of her art], Moscow, 2017, illustrated p. 345.
注意事項
Artist's Resale Right ("Droit de Suite"). Artist's Resale Right Regulations 2006 apply to this lot, the buyer agrees to pay us an amount equal to the resale royalty provided for in those Regulations, and we undertake to the buyer to pay such amount to the artist's collection agent. These lots have been imported from outside the EU for sale using a Temporary Import regime. Import VAT is payable (at 5%) on the Hammer price. VAT is also payable (at 20%) on the buyer’s Premium on a VAT inclusive basis. When a buyer of such a lot has registered an EU address but wishes to export the lot or complete the import into another EU country, he must advise Christie's immediately after the auction.

榮譽呈獻

Alexis de Tiesenhausen
Alexis de Tiesenhausen

拍品專文

During the 1930s in France, Serebriakova painted many floral bouquets, for which she carefully selected flowers and plants in order to achieve harmonious visual combinations. Her choice of sweet chestnuts in this still life is not accidental: the plant’s sharp leaves and thorns symbolise the difficulties endured by the artist in emigration. Other notable floral still life paintings by the artist include A Corner of a Garden, 1910, Chuvash State Art Museum, and Basket with flowers, 1934, Foundation Serebriakoff, Paris, amongst others.
We are grateful to Pavel Pavlinov and Ekaterina Lanceray of the Zinaida Serebriakova Foundation for their assistance in cataloguing this painting.

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