A FRENCH ORMOLU, JASPERWARE AND BLUED-STEEL CARTEL D'APPLIQUE AND BAROMETER
Please note this lot will be moved to Christie’s F… 顯示更多
A FRENCH ORMOLU, JASPERWARE AND BLUED-STEEL CARTEL D'APPLIQUE AND BAROMETER

AFTER THE MODELS ATTRIBUTED TO PIERRE GOUTHIÈRE, LAST QUARTER 19TH CENTURY

細節
A FRENCH ORMOLU, JASPERWARE AND BLUED-STEEL CARTEL D'APPLIQUE AND BAROMETER
AFTER THE MODELS ATTRIBUTED TO PIERRE GOUTHIÈRE, LAST QUARTER 19TH CENTURY
Each ribbon-tied back-plate suspending a circular clock case, surmounted by classical scenes, the reverse of the ribbons stamped 'ESSG'; the dials signed 'PASSEMENT', and the dial of the barometer further signed 'BASTET'; the clockworks numbered '2346' and '4.6' and with further cachets 'HORLOGERIE/PARIS' and 'S. Marti et Cie.'
49 in. (124.5 cm.) high, 10 in. (25.5 cm.) wide
注意事項
Please note this lot will be moved to Christie’s Fine Art Storage Services (CFASS in Red Hook, Brooklyn) at 5pm on the last day of the sale. Lots may not be collected during the day of their move to Christie’s Fine Art Storage Services. Please consult the Lot Collection Notice for collection information. This sheet is available from the Bidder Registration staff, Purchaser Payments or the Packing Desk and will be sent with your invoice.

拍品專文

The present cartel d'applique and matching barometer are based on a model attributed to the bronzier Pierre Gouthière (d. 1813), formerly at the Château de Saint-Cloud and now in the permanent collection at the Musée du Louvre. It is thought that Beurdeley and Henry Dasson were concurrently granted reproduction rights of the Gouthière model and that the patterns or ‘master models’ were sold in the Beurdeley sales 6-9 May 1896 after their workshops closed. The same model was almost certainly exhibited by the firm at the 1893 Chicago World's Fair, as seen in an archival photograph of Beurdeley's extravagant stand (illustrated C. Mestdagh, L'ameublement d'art Français, 1850-1900, Paris, 2010, p. 128). The existence of a cartel clock of this model signed to the dial 'P. Sormani' but stamped to the bronze 'BY' suggests that Sormani bought the patterns from the Beurdeley sale and continued making the model (see A Private Collection Volume II, Sotheby's, New York, 19 April 2007, lot 28). For an example with Wedgwood plaques see C. Payne, Paris Furniture: The Luxury Market of the 19th Century, 2018, p. 210.

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