GERMAN, POSSIBLY LATE 17TH CENTURY
GERMAN, POSSIBLY LATE 17TH CENTURY
GERMAN, POSSIBLY LATE 17TH CENTURY
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GERMAN, POSSIBLY LATE 17TH CENTURY
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SPANISH, LATE 17TH CENTURY

A GOLD, PEARL, EMERALD, ENAMEL AND RUBY-MOUNTED PENDANT IN THE SHAPE OF A FROG

細節
SPANISH, LATE 17TH CENTURY
A GOLD, PEARL, EMERALD, ENAMEL AND RUBY-MOUNTED PENDANT IN THE SHAPE OF A FROG
3 1/3 in. (8.4 cm) high
來源
The Collection of M. Gutman; Parke-Bernet, New York, 17 October 1969, lot 90.
展覽
The Baltimore Museum of Art, 1962-1968.
拍場告示
Please note the second line of the text in the printed catalogue should read "SPANISH, LATE 17TH CENTURY." This is reflected correctly online,

拍品專文

The fashion for jeweled animal pendants may be traced as far back as pre-Columbian civilization. The interpretation of animal forms, including the frog, symbolized diverse cultural significances. 'The frog for the Aztecs represented the rain God while for some South American native tribes the yellow tree frog is a source of poison...though for Christians, the frog was symbolic of the resurrection of the flesh.' (P. Muller, Jewels in Spain, 2012, p.34) The popularity of the jeweled frog pendant in European culture, often worn in the form of a pendant as protection against the 'evil eye,' marks the acknowledgement of early American traditions. A similar frog pendant, also from the Gutman collection, was listed in a Spanish Inventory of 1623, according to Estebán García Chico, ‘Documentos para el estudio de arte en Castilla’, Valladolid, 1963. (P. Muller, Jewels in Spain, 2012, p.34)

更多來自 Property from the Estate of Eugene V. Thaw

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