溥儒 清谿幽居 設色紙本 鏡框 題識：明人爭尚士夫之畫，鮮為宋畫院丹青。惟戴文進猶傅其意，石田則筆如元人華亭，亦兼師董巨，故明代丹青之盛，近世不能及也。心畲。鈐印：溥儒之印來源：瑞士私人珍藏。香港佳士得2007年5月28日，拍品1093號。註：為了拓展業務，此位瑞士藏家於1994年遷住臺灣。他於1994年至2009年間在中國開拓藝術品物流及搬運人員培訓，藉機接觸藝術圈並開始他的中國古代及當代書畫收藏生涯。他一度著迷中國水墨作品視覺美感，通過自己敏銳的西方品味收藏中國書畫並一同探索東方哲學和歷史，對他而言，中國水墨畫及書法既代表率性與靈性又充分表達藝術家對於筆墨的完美控制和駕馭。其收藏之23件書畫佳作於巴黎佳士得2018年六月13日拍賣中釋出（拍品1至23號）。

This painting is part of a comprehensive private Swiss collection of Chinese classical and modern artists, including Huang Junbi (1898-1991), Pu Ru (1896-1963), Feng Zikai (1898-1975), and Wu Zheng (1878-1949). Driven by business development opportunities, the collector moved to Taiwan in 1994. While developing art logistics structures and training art handlers in China between 1994 and 2009, he became acquainted with the Chinese art world and met several influential advisors. These advisors inspired him to start a collection of both classical and contemporary Chinese art, appraised through his Western eyes. Fascinated by the power and beauty of Chinese ink painting, this Swiss collector explored Chinese history and philosophy through the process of collecting. He saw China's history and philosophy in the spontaneity, spirituality, control and discipline of Chinese painters. The first part of this collection was sold in Christie's Paris, 13 June 2018, lots 1-23.