A LARGE MOLDED UNDERGLAZE-BLUE, COPPER-RED AND CELADON-DECORATED 'PHOENIX TAIL' VASE
A LARGE MOLDED UNDERGLAZE-BLUE, COPPER-RED AND CELADON-DECORATED 'PHOENIX TAIL' VASE
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THE ROBERT B. AND BEATRICE C. MAYER FAMILY COLLECTION
清康熙 釉下三彩鳳尾尊

KANGXI PERIOD (1662-1722)

細節
清康熙 釉下三彩鳳尾尊
27 in. (69.5 cm.) high
來源
Ralph M. Chait Galleries, New York, 10 March 1965.
展覽
Brooklyn, New York, Brooklyn Museum, 1933.
On loan: Minneapolis, Minnesota, The Minneapolis Institute of Arts, March 1984-January 1995.

榮譽呈獻

高麗娜 (Olivia Hamilton)
高麗娜 (Olivia Hamilton)

拍品專文

The combination of celadon green with underglaze cobalt blue and underglaze copper red is relatively rare, no doubt because it was so difficult to fire successfully. With the coming of the Kangxi reign came renewed imperial interest in porcelain and a demand for high quality and variety. In the early years of the reign the potters revived the combination of underglaze blue and underglaze copper red on single pieces, and with the re-establishment of the imperial kiln complex court demand for innovation resulted in molded and carved surface decoration and the use of areas of celadon green being added to this already challenging palette.

The favored decorative theme in this technique is landscape with trees, mountains, water and molded and carved celadon-green rocks. Compare a Kangxi period trumpet-mouthed vase in the Seikado Bunko, Tokyo, illustrated in Sekai toji zenshu, Tokyo, 1983, vol. 15, Qing, p. 146, no. 138. Compare, also, a Kangxi period vase of similar shape and large size, sold at Christie’s New York, 26 March 2003, lot 260.

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