A BRONZE RITUAL WINE VESSEL, POU
A BRONZE RITUAL WINE VESSEL, POU
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重要私人珍藏
晚商 公元前十二/十一世紀 青銅饕餮紋瓿

LATE SHANG DYNASTY, 12TH-11TH CENTURY BC

細節
晚商 公元前十二/十一世紀 青銅饕餮紋瓿
13 in. (33 cm.) wide
來源
紐約蘇富比, 1983年12月7日, 拍品編號 49。
私人珍藏, 紐約。
紐約佳士得, 1992年6月4日, 拍品編號179。
私人珍藏, 加拿大。
紐約蘇富比, 2002年3月20日, 拍品編號18。

榮譽呈獻

Vicki Paloympis (潘薇琦)
Vicki Paloympis (潘薇琦) Head of Department, VP, Specialist

拍品專文


Pou seem to have been common in the transitional period between the Erligang and Anyang periods, but appear to have become less popular in the later Anyang period, and by the Zhou dynasty were no longer being made.

A pou with similar cast decoration and similar large bovine masks cast in relief on the shoulder is illustrated by R.W. Bagley, Shang Ritual Bronzes in the Arthur M. Sackler Collections, Washington D.C. and Cambridge, 1987, p. 334, no. 57. Also illustrated, p. 337, fig. 57.3, is another very similar pou in the Museé Cernuschi, Paris. Further comparable pou include the example illustrated in Shang Ritual Bronzes in the National Palace Museum Collection, Taipei, 1998, pp. 388-9, no. 65, and the pou excavated from Wulang Temple in Zhenggu county, Shaanxi province, illustrated in Zhongguo Qingtongqi Quanji - 4 - Shang (4), Beijing, 1998, p. 102, no. 105.

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