A RARE COPPER-INLAID BRONZE RITUAL WINE VESSEL, HU
A RARE COPPER-INLAID BRONZE RITUAL WINE VESSEL, HU
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重要私人珍藏
戰國 青銅錯紅銅壺

WARRING STATES PERIOD (475-221 BC)

細節
戰國 青銅錯紅銅壺
18 in. (45.7 cm.) high
來源
安思遠珍藏, 編號B3202, 1999年以前入藏。
紐約蘇富比, 2002年3月19日, 拍品編號 28。

榮譽呈獻

Vicki Paloympis (潘薇琦)
Vicki Paloympis (潘薇琦) Head of Department, VP, Specialist

拍品專文


A similar hu (but with a cover) is illustrated by J. So, Eastern Zhou Ritual Bronzes from the Arthur M. Sackler Collections, 1995, vol. III, no. 44, where the author, p. 257, describes how the motifs "were first cast in copper, then inserted into the mold and held in place with spacers". This technique was more effective in keeping the copper decoration in place than the more conventional method of hammering the copper into cast or incised depressions. Other similarly decorated hu lacking covers are in museum collections, including one in The Metropolitan Museum of Art, New York, accession number 29.100.545, formerly in the Havemeyer Collection; one in The Art Institute of Chicago, accession number 1928.143, formerly in the Lucy Maud Buckingham Collection; and one in the Fujii Yurinkan Museum, Kyoto, where it is registered as an Important Art Object by the Japanese government. Another hu with a cover was included in the exhibition Chinese Archaic Bronzes, Sculpture and Works of Art, J.J. Lally & Co., New York, June 1992, no. 24.

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