A LARGE INK AND COLOR ON SILK PAINTING OF GUANDI
A LARGE INK AND COLOR ON SILK PAINTING OF GUANDI
A LARGE INK AND COLOR ON SILK PAINTING OF GUANDI
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紐約 INDIA HOUSE 俱樂部珍藏
清初 十七世紀 絹本設色 關聖帝君立像

EARLY QING DYNASTY, 17TH CENTURY

細節
清初 十七世紀 絹本設色 關聖帝君立像
103 x 60 ½ in. (261.6 x 153.7 cm.), including frame
來源
W.E. Bemis (1915年逝) 珍藏。
Willard D. Straight (1880-1918年) 珍藏, 1914年以前入藏。

榮譽呈獻

Vicki Paloympis (潘薇琦)
Vicki Paloympis (潘薇琦) Head of Department, VP, Specialist

拍品專文


The cartouche in the lower proper left corner includes the name Zhou Tiancheng, who is known to have served as one of the court translators during the third year of the Shunzhi reign (1646). He was later placed in charge of the imperial silk factories in Suzhou and continued to be active into the early Kangxi reign.

Guandi, also known as Guangong (Lord Guan), is reputed to be the military hero, Guanyu of the Three Kingdoms period (AD 220-280), who was killed in battle along with his adopted son Guanping and his trusted general Zhoucang in Jingzhou by the army of Sun Quan, the ruler of the state of Wu. The accounts of his superhuman abilities and incorruptible character are dramatized in the fourteenth-century historical novel, Sanguozhi yanyi (Romance of the Three Kingdoms). The figure of Guandi underwent much transformation in Chinese history from military hero to being deified as a God of War. For further discussion on see J. Larson and R. Kerr, 'A Hero Restored: the Conservation of Guan Di', Orientations, July 1991, pp. 28-34.

The cult of Guandi was actively supported by the Ming Court and his image can be found in Court paintings, such as the large hanging scroll, Guan Yu Captures an Enemy General by the early fifteenth-century painter Shang Xi, illustrated by C. Clunas, Art in China, Oxford and New York, 1997, p. 70, fig. 32. In the Qing period his popularity continued to grow, and he became an important deity for both Daoist and Buddhist devotees.

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