A PAINTED ENAMEL SNUFF BOTTLE
A PAINTED ENAMEL SNUFF BOTTLE
A PAINTED ENAMEL SNUFF BOTTLE
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Prospective purchasers are advised that several co… 顯示更多
清乾隆 御製廣作銅胎畫琺瑯西洋人物圖鼻煙壺 藍彩四字楷書款

IMPERIAL, GUANGZHOU WORKSHOPS, QIANLONG FOUR-CHARACTER MARK IN BLUE AND OF THE PERIOD (1736-1795)

細節
清乾隆 御製廣作銅胎畫琺瑯西洋人物圖鼻煙壺 藍彩四字楷書款
2 1⁄16 in. (5.1 cm.) high, coral and pearl stopper
來源
Bob C. Stevens珍藏
Bob C. Stevens珍藏重要中國鼻煙壺 (第二部分), 紐約蘇富比, 1982年3月26日, 拍品編號84
Rachelle R. Holden珍藏, 紐約
出版
《國際中國鼻煙壺協會學術期刊》, 1980年3月, 頁14, 圖5
展覽
東京御木本會館,「Bob C. Stevens珍藏中國鼻煙壺」, 1978年10月22至31日, 圖錄編號360
注意事項
Prospective purchasers are advised that several countries prohibit the importation of property containing materials from endangered species, including but not limited to coral, ivory and tortoiseshell. Accordingly, prospective purchasers should familiarize themselves with relevant customs regulations prior to bidding if they intend to import this lot into another country.

榮譽呈獻

Margaret Gristina (葛曼琪)
Margaret Gristina (葛曼琪) Senior Specialist, VP

拍品專文


This bottle is one of a group of Imperial wares produced in Guangzhou during the Qianlong period. The Guangzhou enamelers regularly employed techniques of the Palace workshops, such as the use of stippled areas where a series of minute dots provides gradation in the colors, or a ground color, as seen here in the green trees. These stylistic similarities arose for two main reasons: Guangzhou enamelers were occasionally seconded to the Palace workshops for a number of years, and Jesuit enamelers often spent lengthy periods in Guangzhou awaiting permission to proceed north after their arrival, spending time demonstrating their skills to local craftsmen and imparting some elements of their style to Guangzhou workshops. The current snuff bottle reflects the fascination of the Qianlong Emperor with Western subjects, which appear on both porcelain and metal enameled wares produced during his reign.

For another 'European subject' bottle decorated with figures in an outdoor setting, see Snuff Bottles from the Tuyet Nguyet and Stephen Markbreiter Collection Part I, Sotheby’s Hong Kong, 4 June 2021, lot 1012.

For other Guangzhou enamel bottles decorated with a variety of subjects, and a discussion of the origin of the art form in Guangzhou, see Moss, Graham, Tsang, A Treasury of Chinese Snuff Bottles, the Mary and George Bloch Collection, Volume 6, Part 1, Hong Kong, 2008, pp. 276-309, nos. 1124-1137.


更多來自 壺裡桃源:何瑞秋珍藏重要中國鼻煙壺

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