GIOVANNI PAOLO PANINI (PIACENZA 1691-1765 ROME)
GIOVANNI PAOLO PANINI (PIACENZA 1691-1765 ROME)

View of Piazza Colonna with the Column of Marcus Aurelius, Rome

細節
GIOVANNI PAOLO PANINI (PIACENZA 1691-1765 ROME)
View of Piazza Colonna with the Column of Marcus Aurelius, Rome
signed with initials ‘G.P.P.’ and with illegible inscription
graphite, pen and grey ink, watercolour, watermark fragment fleur-de-lys with a crown
25.3 x 35.9 cm (10 x 14 1⁄8 in.)
來源
William Esdaile (1758-1837), London; Christie's, London, 20 June 1840, lot 450 (2 gns to Hogarth).
Unidentified collector's mark P. H. (L. 2084).
Lore and Rudolf Heinemann, New York; Christie's, London, 1 July 1997, lot 75.
with Kate de Rothschild, London (Master Drawings, July 2001, no. 11, ill.).
展覽
New York, The Pierpont Morgan Library & Museum, Drawings from the Collection of Lore and Rudolf Heinemann, 1973, no. 32, ill.

榮譽呈獻

Stefano Franceschi
Stefano Franceschi Specialist

拍品專文

By contrast with his extensive output of capricci, Panini’s detailed topographical vedute of Rome like this view are rare. In this drawing several important symbols of modern Rome can be identified around Piazza Colonna: the Palazzo Chigi and the Curia Innocenziana to the right, the Residenzia di Monsignor Vicegerente at the centre and the Chiesa dei Santi Bartolomeo e Alessandro dei Bergamaschi to the left. The same view appears in Panini’s painting Modern Rome, pendant to Ancient Rome, both in the Louvre (inv. R.F. 1944-22; F. Arisi, Gian Paolo Panini, e i fasti della Roma del700, Rome, 1986, no. 500, ill.). Other versions of these well-known views can be found in the Metropolitan Museum of Art, New York (inv. 52.63.1 and 52.63.2), the latter showing the Piazza Colonna from a different viewpoint, and in the Museum of Fine Arts, Boston (inv. 1975.805), also showing the Piazza Colonna from a different angle.

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