A LARGE BLUE AND WHITE REVERSE-DECORATED 'CRANES' JAR
A LARGE BLUE AND WHITE REVERSE-DECORATED 'CRANES' JAR
A LARGE BLUE AND WHITE REVERSE-DECORATED 'CRANES' JAR
2 更多
明嘉靖 青花雲鶴紋罐 雙圈六字楷書款

JIAJING SIX-CHARACTER MARK IN UNDERGLAZE BLUE WITHIN A DOUBLE CIRCLE AND OF THE PERIOD (1522-1566)

細節
明嘉靖 青花雲鶴紋罐 雙圈六字楷書款14 5/8 in. (37.5 cm.) high

榮譽呈獻

Rufus Chen (陳嘉安)
Rufus Chen (陳嘉安) Head of Sale, AVP, Specialist

拍品專文

Cranes, as symbols of longevity, were a popular motif on Chinese ceramics. The design on this jar known as 'hundred cranes' was therefore particularly auspicious. The painting of designs on blue and white porcelains so that the ground appears blue and the individual motifs appear reserved in white was a feature of mid-Yuan and Xuande wares. This technique was time-consuming and required more skill than the normal blue on white designs, and thus was used less frequently during the later 15th century and early 16th century. The use of reserve decoration became popular again in the Jiajing and Wanli periods when various designs, particularly those of floral motifs were depicted in white against a blue ground.

A jar of similar decoration and size, but dated to the Wanli period (1573-1619), was sold at Christie's New York, 27 May 2008, lot 1861.

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