A WELL-CARVED MOTTLED GREEN AND BROWN JADE 'BUFFALO AND BOY' GROUP
A WELL-CARVED MOTTLED GREEN AND BROWN JADE 'BUFFALO AND BOY' GROUP
A WELL-CARVED MOTTLED GREEN AND BROWN JADE 'BUFFALO AND BOY' GROUP
2 更多
明 青褐玉童子牧牛把件

MING DYNASTY (1368-1644)

細節
明 青褐玉童子牧牛把件3 ½ in. (8.9 cm.) long
來源
鍾華培熙墀珍藏, 香港
Anthony Carter, 倫敦, 2004年11月29日
LJZ珍藏, 美國
出版
敏求精舍, 《歷代文物萃珍—敏求精舍三十周年紀念展》, 香港, 1990年, 頁454, 編號219
香港藝術館, 《中國肖生玉雕》, 香港, 1996, 頁166-67, 編號154
姜濤及劉雲輝, 《熙墀藏玉》, 北京, 2006年, 頁177
A. Carter,《The LJZ Collection of Chinese Jades》, 倫敦, 2022年, 頁60-61, 編號25
展覽
香港, 香港藝術館, 「中國肖生玉雕」, 1996年4月19日-7月14日
香港, 香港藝術館, 「歷代文物萃珍—敏求精舍三十周年紀念展」, 香港, 1990年11月30日-1991年2月10日

榮譽呈獻

Vicki Paloympis (潘薇琦)
Vicki Paloympis (潘薇琦) Head of Department, VP, Specialist

拍品專文

The buffalo symbolizes strength and diligence, and is also associated with agriculture and springtime because of its use in pulling ploughs. When paired with a child, the motif represents harmony and peaceful coexistence between man and nature. According to James C. Y. Watt in Chinese Jades From Han to Ch'ing, New York, 1980, p. 65, no. 46, the subject of the boy on the buffalo first appeared during the Southern Song dynasty. In addition to being featured in paintings, ceramics, and bronzes, the buffalo and its boy minder can also be found in jade carvings from the Yuan dynasty through to the Qing.

A similar carving dated to the Ming dynasty, is illustrated in the Min Chiu Society exhibition catalogue, Selected Treasures of Chinese Art, Hong Kong, 1991, p. 454, no. 219.

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