A NISHAPUR BOWL
A NISHAPUR BOWL
A NISHAPUR BOWL
2 更多
PROPERTY FROM A PRIVATE AMERICAN COLLECTION
A NISHAPUR BOWL

NORTH EAST IRAN, 10TH CENTURY

細節
A NISHAPUR BOWL
NORTH EAST IRAN, 10TH CENTURY
Of conical form, the white ground decorated under the glaze in red, yellow, and brown, the central roundel containing ornamental kufic within a red knotted border, the cavetto asymmetrically decorated with foliate motifs and further ornamental kufic, the exterior with small brown dashes at rim, otherwise plain, repaired breaks, minor areas of restoration
12 1/8in. (30.2cm.) diam.
來源
Excavated Tepe Alp Arslan, Nishapur, before 1949
刻印
In the centre, yumn 'Good fortune'
Around the border repeated bi'l-yumn, 'With good fortune'
In the panel, repeated combinations of the letters alif, lam, ya', mim, nun
更多詳情
Some countries prohibit or restrict the purchase and/or import of Iranian-origin property. Bidders must familiarise themselves with any laws or shipping restrictions that apply to them before bidding on these lots. For example, the USA prohibits dealings in and import of Iranian-origin “works of conventional craftsmanship” (such as carpets, textiles, decorative objects, and scientific instruments) without an appropriate licence. Christie’s has a general OFAC licence which, subject to compliance with certain conditions, would enable a buyer to import this type of lot into the USA. If you intend to use Christie’s licence, please contact us for further information before you bid.

榮譽呈獻

Sara Plumbly
Sara Plumbly Director, Head of Department

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拍品專文


This bowl belongs to a group of pottery associated with Nishapur, where a relatively simple palette of earthy pigments is used to realise a wide range of complicated and powerful designs. A similar calligraphic motif is repeated on a bowl in the Victoria and Albert Museum, London (acc.no. C.48-1964) while an example in the Khalili collection also has a central roundel of orange strapwork with ivory dots on it (acc.no. POT864, Ernst K. Grube, Cobalt and Lustre: the First Centuries of Islamic Pottery, London, 1994, no.75, p.84). Whilst most examples are organised into four near-identical quarters, what is particularly unusual about ours is the impactful asymmetry of the design.

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