REMBRANDT HARMENSZ. VAN RIJN (1606-1669)
REMBRANDT HARMENSZ. VAN RIJN (1606-1669)

Beggar Woman leaning on a Stick

細節
REMBRANDT HARMENSZ. VAN RIJN (1606-1669)
Beggar Woman leaning on a Stick
etching and drypoint
1646
on laid paper, without watermark
a good impression of the third state (of five)
printing with a light plate tone
with small margins
in very good condition
Plate 81 x 64 mm.
Sheet 85 x 68 mm.
來源
Richard Dawnay, 10th Viscount Downe (1903-1965), Wykeham Abbey, Yorkshire (Lugt 719a); his posthumous sale, Sotheby's, London, 7 December 1972, lot 150 (£ 400; to Bradley).
With R. G. Michel, Paris (with their code TRUX in pencil verso).
Sam Josefowitz (Lugt 6094; on the support sheet recto); acquired from the above; then by descent to the present owners.
出版
Bartsch, Hollstein 170; Hind 219; New Hollstein 229 (this impression cited)
Stogdon p. 299

榮譽呈獻

Tim Schmelcher
Tim Schmelcher International Specialist

拍品專文

The theme of beggars and paupers was dear to Rembrandt from the beginning of his career (see lots 47-49). In the 1640s and early 1650s, the artist returned to the theme in a number of drawings and etchings (see lot 61). The expressiveness and honest appearance of these nameless inhabitants of the streets was fundamental to the realism Rembrandt tried to achieve in his prints.
The fine, delicate etching lines with which Rembrandt built up the image convey a sense of uncertainty and frailty, which echoes the vulnerable state of the woman with a walking stick depicted here.

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