A draped male figure seen from behind

細節

PARIS BORDONE (TREVISO 1500-1571 VENICE)
A draped male figure seen from behind
with inscription 'di Paolo Veronese' (on fragmentary mount)
black chalk, heightened with white, on brown paper, top corners cut
6 1⁄8 x 4 3⁄8 in. (15.5 x 11 cm)

來源

Sir Peter Lely (1618-1680), London (L. 2092).
Paul Mathey (1844-1929), Paris.
with Georges Aubry, Paris.
Alfred Normand (1910-1993), Paris (L. 153c).
Private collection, Paris.
Anonymous sale; Hôtel Drouot, Paris, 29 March 2000, lot 13.

出版

W. Rearick, ‘The Drawings of Paris Bordon’, in Paris Bordone e il suo tempo. Atti del Convegno Internazionale di Studi, Treviso, 1987, p. 52, ill.
A. Donati, Paris Bordone catalogo ragionato, Cremona, 2014, no. D35, ill.

業務規定

榮譽呈獻

Giada Damen, Ph.D. AVP, Specialist, Head of Sale

gdamen@christies.com +1 212 641 7532

拍品專文

When Roger Rearick published the drawing for the first time (Rearick, op. cit., p. 52), he connected the energetic and rapid execution of the sheet with that of other studies made when, around 1534, Paris Bordone was working on his masterpiece the Presentation of the ring to the Doge for the Scuola Grande di San Marco (now in the Gallerie dell’Accademia, Venice; see Donati, op. cit., no. 80, ill.).

For his studies Bordone often employed a broad technique, delineating the figures with rapid and expressive strokes of black and white chalk.

A draped male figure seen from behind

榮譽呈獻

拍品專文

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