JACQUES-FRANÇOIS DELYEN (GAND 1684-1761 PARIS)
JACQUES-FRANÇOIS DELYEN (GAND 1684-1761 PARIS)
JACQUES-FRANÇOIS DELYEN (GAND 1684-1761 PARIS)
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JACQUES-FRANÇOIS DELYEN (GAND 1684-1761 PARIS)

Un Bûveur sous une Treille (A Drinker under a Trellis)

細節
JACQUES-FRANÇOIS DELYEN (GAND 1684-1761 PARIS)
Un Bûveur sous une Treille (A Drinker under a Trellis)
oil on canvas
50 7⁄8 x 38 1⁄8 in. (129.2 x 96.9 cm.)
來源
Pastré collection, Brussels.
Comtesse Charles de Vogüé, Paris; her deceased sale, Palais Galliera, Paris, 14 March 1972, lot 182, as Nicolas de Largillierre and described as a self-portrait.
Juan de Bestegui (1930-2017), Château de Groussay, his sale; Sotheby's and Poulain, on the premises, 2 June 1999, lot 409, where acquired by the present owner.
出版
G. Huard in Les peintres francais du XVIIIe siècle', L. Dimier ed., Paris and Brussels, 1928, p. 265, no. 8, under lost works.
J. Collins, 'Genre paintings exhibited at the Salon, 1699-1789', The Age of Watteau, Chardin, and Fragonard. Masterpieces of French Genre Painting, C. Bailey, et al., ed., exhibition catalogue, New Haven and London, 2003, pp. 394 and 400.
G. de Wallens, Jacques François Delyen, peintre ordinaire du Roi (Gand, 1684-Paris, 1761) et les peintres belges actifs a Paris ai XVIIIe siècle, PhD dissertation, Leuven, 2005, pp. 112, 126, 222-223, 246, 400, 581, 589 and 631, no. 37, fig. 155.
G. de Wallens, Les peintres belges actifs à Paris au XVIIIe siècle à l'exemple de Jacques François Delyen, peintre ordinaire du roi (Gand, 1684-Paris, 1761), Brussels and Rome, 2010, pp. 205-207 and 533, no. 37, fig. 151.
展覽
Paris, Salon du Louvre, 1745, no. 116.

榮譽呈獻

Laura H. Mathis
Laura H. Mathis VP, Specialist, Head of Sale

拍品專文

Having trained under Nicolas Largillierre, Jacques-François Delyen was a regular exhibitor of portraits and, occasionally, genre scenes at the Salon between 1737 and 1747. Although this work was sold in 1977 as a self-portrait by Largillierre (loc. cit.), it was later recognized as an autograph work by Delyen by Gérard de Wallens, who published it as such first in his 2005 dissertation and again in his 2010 catalogue raisonné on the artist (loc. cit.). Exhibited at the Salon of 1745 by Delyen, the work was described as ‘Autre plus petit, représentant un Bûveur sous une Treille’ (Another small one, representing a Drinker under a Trellis).

De Wallens explored the sitter's identity, questioning whether it might be is Delyen himself. While acknowledging the possibility, he ultimately argued against it, noting that the painting was exhibited alongside another work explicitly described as a self-portrait. The sitter, who is dressed in typical attire for an artist of the time, may instead have been another artist or friend within Delyen’s circle.

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