RARE COUPE À PIED EN PORCELAINE BLEU BLANC À DÉCOR DE DRAGONS ET CARPES
RARE COUPE À PIED EN PORCELAINE BLEU BLANC À DÉCOR DE DRAGONS ET CARPES
RARE COUPE À PIED EN PORCELAINE BLEU BLANC À DÉCOR DE DRAGONS ET CARPES
RARE COUPE À PIED EN PORCELAINE BLEU BLANC À DÉCOR DE DRAGONS ET CARPES
3 更多
歐洲私人珍藏佳士得榮幸於今年六月於亞洲藝術及亞洲藝術網拍呈獻這批中國及日本藝術珍品。此收藏歷經三十年匯聚,絕大部分作品皆來自國際頂尖拍賣行與古董商,包含Spink & Son、Marchants、Vanderven & Vanderven,以及Jorge Welsh等。
清乾隆 青花魚化龍紋高足盤 青花六字篆书横款

CHINE, DYNASTIE QING, MARQUE À SIX CARACTÈRES EN CACHET EN LIGNE EN BLEU SOUS COUVERTE ET ÉPOQUE QIANLONG (1736-1795)

細節
清乾隆 青花魚化龍紋高足盤 青花六字篆书横款
Diamètre : 22,8 cm. (9 in.)
來源
Keralakis家族舊藏
2005年4月1日購自倫敦古董商S. Marchant & Son
出版
S. Marchant & Son, Qing Mark and Period Blue and White, S. Marchant & Son, London, 1984, cat. no. 24.
展覽
倫敦,S. Marchant & Son,《清代款識與年代青花瓷》,1984年6月11日至22日。
更多詳情
A RARE BLUE AND WHITE ‘DRAGON AND CARP’ TAZZA
CHINA, QING DYNASTY, QIANLONG SIX-CHARACTER SEAL MARK IN A LINE IN UNDERGLAZE BLUE AND OF THE PERIOD (1736-1795)

榮譽呈獻

Tiphaine Nicoul
Tiphaine Nicoul Head of department

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拍品專文

The "Carp and Dragon Transformation" motif is a distinctive decorative pattern seen on Qing Dynasty ceramics, symbolizing the legendary ascent of the carp over the dragon gate. As noted in the Confucius Family Sayings, when Confucius had a son, Duke Zhao of Lu presented him with a carp as a gift, which led to the child being named Li, with the courtesy name Boyu. Additionally, the Shuoyuan recounts the story: "In ancient times, a white dragon descended into a cold abyss and transformed into a fish." This motif was particularly popular during the early Qing period, characterized by a style that defines the era. It often represented the aspiration for success in the imperial examinations and rapid advancement in life.
This type of elevated-footed dish first appeared during the Kangxi reign and was also produced during the Qianlong period, with surviving examples mostly limited to these two reigns and virtually absent thereafter. Such vessels were likely commissioned for use at the imperial court, distinguishing them from the more common official kiln wares.
Similar examples include one depicted in Beauty of Ceramics, vol. 3: Blue and White Porcelain, Taipei, 1993, plate 153. For earlier prototypes, refer to a Kangxi reign-marked tazza in the National Palace Museum, Taipei, featured in Illustrated Catalogue of Ch’ing Dynasty Porcelain in the National Palace Museum, Taipei, vol. 1, 1980, plate 15.

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