CHINE, DYNASTIE QING, ÉPOQUE QIANLONG (1736-1795)

The format and shape of the current polychrome lacquer ‘seat’ suggest that it was likely once a throne, now missing its original three-panel back and sides, and subsequently repurposed into its present form. In terms of furniture classification, the category of ‘thrones’ encompasses a variety of seating types, including throne chairs, daybeds, and couch-like platforms. Functionally, these pieces were not only utilitarian but also potent symbols of imperial authority in China, reserved exclusively for the emperor. They were typically placed in key audience halls frequented by the ruler, accompanied by throne screens and court fans to project majesty and legitimacy. In the main ceremonial halls of the Forbidden City—such as the Hall of Supreme Harmony and the Hall of Preserving Harmony—thrones could also be flanked by vases and elephants (whose combined names in Chinese form a rebus meaning “May there be a peaceful reign”), as well as by auspicious figures like luduan (mythical beasts), cranes, and incense burners. These elements collectively reinforced the throne as a focal point of imperial power.