拍品專文
The artist Kaneyasu Masatoshi (1845–?) ranks high among the greatest of the Meiji period metalworkers. He apprenticed to the esteemed metal artist, Tanaka Kiyotoshi (1804-1876) before being adopted by Ito Katsumi (1829-1910), eleventh master of one of the most distinguished lineages of metal artists. Active in Tokyo, Kaneyasu produced works of exceptional refinement distinguished by crisp carving, balanced composition, and subtle finish of the patina. Commissioned by leading patrons and the celebrated Ozeki Company, his metalwork reflects the finest technics and aesthetic sophistication of Meiji-period craftsmanship.
For the works by the artist in the collections of the Museum of Fine Arts, Boston, image accessible online under accession numbers 11.5336 & 11.5693. For the similar works by the artist in the collection of the Nasser D. Khalili Collection, see Oliver Impey and Malcolm Fairley, Metalwork Part I & II of Meiji no Takara, Treasures of Imperial Japan (London: Kibo Foundation, 1995), pl. 52, 53 & 80.
For the works by the artist in the collections of the Museum of Fine Arts, Boston, image accessible online under accession numbers 11.5336 & 11.5693. For the similar works by the artist in the collection of the Nasser D. Khalili Collection, see Oliver Impey and Malcolm Fairley, Metalwork Part I & II of Meiji no Takara, Treasures of Imperial Japan (London: Kibo Foundation, 1995), pl. 52, 53 & 80.