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Miss Ko² (Project Ko²)
細節
TAKASHI MURAKAMI (B. 1962)
Miss Ko² (Project Ko²)
fiberglass, iron, acrylic and oil paint
72 x 25 x 30 in. (182.9 x 63.5 x 76.2 cm.)
Executed in 1997. This work is number one from an edition of three plus one artist's proof.
Miss Ko² (Project Ko²)
fiberglass, iron, acrylic and oil paint
72 x 25 x 30 in. (182.9 x 63.5 x 76.2 cm.)
Executed in 1997. This work is number one from an edition of three plus one artist's proof.
來源
Marianne Boesky Gallery, New York
Acquired from the above by the present owner, 2009
Acquired from the above by the present owner, 2009
出版
G. Molinari, "Takashi Murakami," Flash Art, March-April 1998, p. 106 (illustrated).
M. Asano, "The Readymade Hall of Fame," Monthly Model Graphix, April 1998, pp. 43-49 (illustrated).
M. Matsui, "Takashi Murakami," Index, November 1998, p. 49 (illustrated).
Blind Mirror: Selections from a Contemporary Collection, exh. cat., Sao Paulo, Museu de Arte Moderna de Sao Paulo, 2001, p. 109 (illustrated).
K. Itoi, "Pop Goes the Artist," Newsweek, Summer 2001, p. 86 (illustrated).
Takashi Murakami: Kaikai Kiki, exh. cat., Fondation Cartier pour l'art contemporain à Paris, 2002, p. 77 (illustrated).
James Roberts, "Magic Mushrooms," Frieze, October 2002, p. 68.
J. Huckbody, "Shooting from the Hip," i-D, February 2003, p. 81 (illustrated).
A. Browne, "When Takashi Met Marc," V 22, March-April 2003.
F. Bonami and C. Christov-Bakargiev, The Pantagruel Syndrome, Turin, 2005, n.p., center insert (illustrated).
A. Lubow, “The Murakami Method,” New York Times Magazine, 3 April 2005 (illustrated).
C. Knight, "Art Review: Hello, creepy cute," Los Angeles Times, 29 October 2007, p. E1.
M. Naves, "Warhol, Porn and Vuitton," The New York Observer, 15 April 2008.
S. Cohen, "Emerging from Desire: Takashi Murakami," Wynnwood: The Art Magazine (Miami), May 2008, p. 16 (illustrated).
L. Yu-fu, "Special Feature: Takashi Murakami," Bijutsu, 2010, p. 18 (illustrated).
M. Asano, "The Readymade Hall of Fame," Monthly Model Graphix, April 1998, pp. 43-49 (illustrated).
M. Matsui, "Takashi Murakami," Index, November 1998, p. 49 (illustrated).
Blind Mirror: Selections from a Contemporary Collection, exh. cat., Sao Paulo, Museu de Arte Moderna de Sao Paulo, 2001, p. 109 (illustrated).
K. Itoi, "Pop Goes the Artist," Newsweek, Summer 2001, p. 86 (illustrated).
Takashi Murakami: Kaikai Kiki, exh. cat., Fondation Cartier pour l'art contemporain à Paris, 2002, p. 77 (illustrated).
James Roberts, "Magic Mushrooms," Frieze, October 2002, p. 68.
J. Huckbody, "Shooting from the Hip," i-D, February 2003, p. 81 (illustrated).
A. Browne, "When Takashi Met Marc," V 22, March-April 2003.
F. Bonami and C. Christov-Bakargiev, The Pantagruel Syndrome, Turin, 2005, n.p., center insert (illustrated).
A. Lubow, “The Murakami Method,” New York Times Magazine, 3 April 2005 (illustrated).
C. Knight, "Art Review: Hello, creepy cute," Los Angeles Times, 29 October 2007, p. E1.
M. Naves, "Warhol, Porn and Vuitton," The New York Observer, 15 April 2008.
S. Cohen, "Emerging from Desire: Takashi Murakami," Wynnwood: The Art Magazine (Miami), May 2008, p. 16 (illustrated).
L. Yu-fu, "Special Feature: Takashi Murakami," Bijutsu, 2010, p. 18 (illustrated).
展覽
New York, Feature, Murakami: Hiropon, Project Ko², February-March 1997.
Tokyo, Big Sight, Wonder Festival '98, January 1998 (another from the edition exhibited).
Annandale-on-Hudson, Center for Curatorial Studies Museum, Bard College, Takashi Murakami The Meaning of the Nonsense of the Meaning, June-September 1999, p. 38 and 58-59, no. 15 (another from the edition exhibited and illustrated).
Tokyo, Makuhari Messe, Tokyo Wonder Festival, June-August 2000.
Tokyo, Museum of Contemporary Art of Tokyo, TAKASHI MURAKAMI: summon monsters? open the door? heal? or die?, August-November 2001, n.p. (another from the edition exhibited and illustrated).
Durham, North Carolina, Duke University Museum of Art, Student-Curated Exhibition, XII: Made in Asia?, April-June 2001, pp. 41 and 58 (illustrated).
Los Angeles, The Museum of Contemporary Art; New York, Brooklyn Museum of Art; Frankfurt, Museum für Moderne Kunst and Bilbao, Guggenheim Museum, ©Murakami, October 2007-May 2009, pp. 69 and 85-87 (illustrated).
Paris, Chateau de Versailles, Murakami Versailles, September-December 2010, pp. 92-95, 98, 100-101 and 171 (another from the edition exhibited and illustrated).
Zurich, Thomas Amann Fine Art AG, Verboten, June-September 2011.
Seoul, PLATEAU, Samsung Museum of Art, Takashi in Superflat Wonderland, July-December 2013, pp. 36-39 and 109 (another from the edition exhibited and illustrated).
Tokyo, Big Sight, Wonder Festival '98, January 1998 (another from the edition exhibited).
Annandale-on-Hudson, Center for Curatorial Studies Museum, Bard College, Takashi Murakami The Meaning of the Nonsense of the Meaning, June-September 1999, p. 38 and 58-59, no. 15 (another from the edition exhibited and illustrated).
Tokyo, Makuhari Messe, Tokyo Wonder Festival, June-August 2000.
Tokyo, Museum of Contemporary Art of Tokyo, TAKASHI MURAKAMI: summon monsters? open the door? heal? or die?, August-November 2001, n.p. (another from the edition exhibited and illustrated).
Durham, North Carolina, Duke University Museum of Art, Student-Curated Exhibition, XII: Made in Asia?, April-June 2001, pp. 41 and 58 (illustrated).
Los Angeles, The Museum of Contemporary Art; New York, Brooklyn Museum of Art; Frankfurt, Museum für Moderne Kunst and Bilbao, Guggenheim Museum, ©Murakami, October 2007-May 2009, pp. 69 and 85-87 (illustrated).
Paris, Chateau de Versailles, Murakami Versailles, September-December 2010, pp. 92-95, 98, 100-101 and 171 (another from the edition exhibited and illustrated).
Zurich, Thomas Amann Fine Art AG, Verboten, June-September 2011.
Seoul, PLATEAU, Samsung Museum of Art, Takashi in Superflat Wonderland, July-December 2013, pp. 36-39 and 109 (another from the edition exhibited and illustrated).
榮譽呈獻
Kathryn Widing
Senior Vice President, Senior Specialist, Head of 21st Century Evening Sale