A CALLIGRAPHIC PANEL
A CALLIGRAPHIC PANEL
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A CALLIGRAPHIC PANEL

SIGNED AMIR, MUGHAL INDIA, EARLY 17TH CENTURY

細節
A CALLIGRAPHIC PANEL
SIGNED AMIR, MUGHAL INDIA, EARLY 17TH CENTURY
Persian manuscript on marbled paper, 6ll. of black nasta'liq, the reverse plain, mounted, framed and glazed
12 ½ x 7 ¼in. (31.7 x 18.5cm.)
來源
American art market, 1995
出版
Cheney Cowles, Helen Delacretaz and Barry Till, Image and Word: Indian Paintings, Drawings, and Calligraphy (1350-1830), Victoria, 1998, p.24, fig.24
展覽
'Image and Word: Indian Paintings, Drawings, and Calligraphy (1350-1830)', Art Gallery of Greater Victoria, Canada, 1998
刻印
Faqir amir ghafara lahu, ‘The poor Amir, may [God] forgive him’

榮譽呈獻

Sara Plumbly
Sara Plumbly Director, Head of Department

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拍品專文

Originating in Greater Iran, the swirling colours and organic shapes of marbled paper became popular in Mughal India in the 16th century. This was especially favoured for calligraphy, lending a decorative background to elegant nasta’liq verse.

Examples of nasta’liq on marbled paper attributed to 17th century Mughal India can be found in the Metropolitan Museum of Art (1999.356 and 1986.109.2).

更多來自 瑪麗與切尼·考爾斯珍藏印度書畫傑作

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