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拍品專文
The figural scene on the present vase may be identified, based on visual details and literary comparison, as an episode from the Qing-dynasty novel Shuo Yue quanzhuan (The Complete Tale of Yue Fei). A blue-faced figure, shown standing atop the city gate and smiling as he receives the approaching procession, corresponds closely to textual descriptions of Jin Wuzhu; the use of blue facial colouring further accords with operatic conventions denoting fierce, non-Han protagonists. The relaxed expressions of the mounted figures and the overall composition suggest a scene of triumphant return rather than combat.
Notably, a mounted female figure carrying a falcon appears among the retinue, a detail that may reflect Jurchen hunting practices, in which trained birds of prey were used and in which women are also recorded to have participated. This element lends an added ethnographic dimension to the scene.
The adoption of literary subjects in Kangxi-period decoration is closely linked to the flourishing of popular fiction and the expansion of porcelain production at Jingdezhen during a period of relative stability and economic prosperity. The bold palette and linear style of famille verte favoured clear narrative compositions, often incorporating symbolic elements such as torches or military banners to convey context. Within the Qing context, the depiction of Jurchen figures in a composed and even favourable manner may also reflect a broader engagement with shared historical origins.
Notably, a mounted female figure carrying a falcon appears among the retinue, a detail that may reflect Jurchen hunting practices, in which trained birds of prey were used and in which women are also recorded to have participated. This element lends an added ethnographic dimension to the scene.
The adoption of literary subjects in Kangxi-period decoration is closely linked to the flourishing of popular fiction and the expansion of porcelain production at Jingdezhen during a period of relative stability and economic prosperity. The bold palette and linear style of famille verte favoured clear narrative compositions, often incorporating symbolic elements such as torches or military banners to convey context. Within the Qing context, the depiction of Jurchen figures in a composed and even favourable manner may also reflect a broader engagement with shared historical origins.