REMBRANDT HARMENSZ. VAN RIJN (1606-1669)
PROPERTY FROM THE ESTATE OF AMBASSADOR J. WILLIAM MIDDENDORF II, RHODE ISLAND
REMBRANDT HARMENSZ. VAN RIJN (1606-1669)

Landscape with three gabled Cottages beside a Road

細節
REMBRANDT HARMENSZ. VAN RIJN (1606-1669)
Landscape with three gabled Cottages beside a Road
etching and drypoint
1650
on laid paper, watermark Strasbourg Lily (Hinterding E'.a.)
a very fine, atmospheric impression of this rare and important landscape
third, final state
with considerable burr throughout
printed with a subtle plate tone, pronounced horizontal wiping marks, and inky plate edges
trimmed to or on the platemark
a few minor repairs
generally in very good condition
Plate & Sheet 162 x 204 mm.
來源
Unidentified, inscribed 'rl' (?) in brown ink recto (not in Lugt).
Alcide Donnadieu (circa 1791-1861), London and Paris (Lugt 724).
Dr Wilhelm August Ackermann (1793-1865), Lübeck and Dresden (Lugt 791); his sale, R. Weigel, Leipzig, 29 March 1853 (and following days), lot 699 ('Wundervoller Abdruck der zweiten Art mit d. Kreuzschraffirungen am Vordertheile der ersten Hütte, ein Chef d’Oeuvre von Druck u. bestens erhalten. Höchst selten. Otto.‘). (Th. 99) (this impression cited in Lugt)
August Artaria (1807-1893), Vienna (Lugt 33); his posthumous sale, Artaria & Co., Vienna, 6-13 May 1896, lot 738 ('Collections Donnadieu et Dr W. A. Ackermann. Très rare et très belle épreuve avec barbes.'). (Mk. 435; to Amsler & Ruthardt)
With Amsler & Ruthardt, Berlin.
Rudolf Philip Goldschmidt (circa 1840-1914), Berlin (Lugt 2926); probably acquired from the above; his posthumous sale, F. A. C. Prestel Frankfurt, 4-11 October 1917, lot 1101 ('... mit sehr starkem Grat. Höchst selten'). (Mk 4,300) (this impression cited in Lugt)
Edward Duff Balken (1874-1960), Pittsburg (Lugt 843); his sale, Fine Prints & Drawings from the Collection of Edward Duff Balken, Anderson Galleries, New York, 25 January 1929, lot 123 ('Splendid impression, with the rounded corners of the blank upper margin restored'). (this impression cited in Lugt)
With Kleeman Galleries, New York.
Captain Gordon W. Nowell-Usticke (1894-1978), Christiansted, St. Croix, Virgin Islands (without mark and not in Lugt); acquired from the above; his sale, Parke-Bernet Galleries, New York, 31 October 1967, lot 87.
Private Collection, US; acquired at the above sale; then by descent.
出版
Bartsch, Hollstein 217; Hind 246; New Hollstein 248

榮譽呈獻

Stefano Franceschi
Stefano Franceschi Specialist

拍品專文

Landscape with Three Gabled Cottages is perhaps the most atmospheric rendering of a theme that appears repeatedly in Rembrandt's etchings - a bucolic view down a country lane lined with cottages and trees. The print is closely related to a drawing, Landscape with Cottages (Benesch 835; Kupferstichkabinett der Staatlichen Museen, Berlin; inv. no. KdZ 3116), which depicts a similar cluster of farm buildings, known as langhuizen. The exact location of this etching has not been identified, however, the langhuizen (longhouses) were typical of the region around Amsterdam, particularly along the old roads, the Sloterweg, the Amstelveenseweg, and the Diemerdijk.
As the print varies from the drawing in several respects, it is generally thought that the artist composed the scene from more than one study. However, it has also been suggested that he had begun working on the plate outdoors, and completed it in the studio. This would explain the removal of a section of the tree, still faintly visible in the sky above the foliage over the central chimney. This combination of naturalistic observation and artistic intervention is typical of many of Rembrandt's etched landscapes, where fidelity to the subject is subordinate to composition and atmosphere.
The present impression was in some of the most distinguished Rembrandt collections of the 19th and 20th centuries, and is mentioned three times in the Lugt database.

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