A DATED GILT-BRONZE FIGURE OF AN AMITAYUS
A DATED GILT-BRONZE FIGURE OF AN AMITAYUS
A DATED GILT-BRONZE FIGURE OF AN AMITAYUS
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A DATED GILT-BRONZE FIGURE OF AN AMITAYUS
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北美私人珍藏重要中國藝術
清乾隆庚寅年(1770年) 鎏金銅無量壽佛坐像

QIANLONG PERIOD, INCISED WITH CYCLICAL GENGYIN DATE, CORRESPONDING TO 1770, AND OF THE PERIOD

細節
清乾隆庚寅年(1770年) 鎏金銅無量壽佛坐像
8 3⁄8 in. (21.2 cm.) high, cloth box
來源
鴻禧美術館,臺北,1993年以前
出版
鴻禧美術館,《金銅佛造像圖錄》,臺北,1993年,頁56–57,編號21
鴻禧美術館,《鴻禧集珍:一九九六年北京中國歷史博物館》,臺北,1996年,頁67,編號50
展覽
臺北,鴻禧美術館,「金銅佛造像」,1993年,編號21
北京,中國歷史博物館,「鴻禧集珍特展」,1996年,編號50

榮譽呈獻

Vicki Paloympis (潘薇琦)
Vicki Paloympis (潘薇琦) Head of Department, VP, Specialist

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拍品專文

Amitayus is known as the ‘Buddha of Infinite Light’ and the ‘One who grants long life’. The deity is seen here in a classic representation seated in the lotus position (dhyanasana), with the hands held in meditation supporting a vessel (kalasha), which holds the elixir of immortality. As one of the most popular deities from the Tibetan Buddhist pantheon, images of Amitayus found great favor with the Emperor Qianlong.

The current figure belongs to a group of cyclically-marked gilt-bronze Amitayus figures commissioned by Qianlong as gifts to his mother, the Empress Dowager, who was a devout Buddhist, in commemoration of her sixtieth and seventieth birthdays. Figures of Amitayus were often depicted in groups of nine, since ‘nine’ is a homophone for ‘eternity’.

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