UTAGAWA HIROSHIGE (1797-1858)
UTAGAWA HIROSHIGE (1797-1858)
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Property from the Alan Medaugh Collection
UTAGAWA HIROSHIGE (1797-1858)

Kyobashi takegashi (Bamboo yards, Kyobashi Bridge)

細節
UTAGAWA HIROSHIGE (1797-1858)
Kyobashi takegashi (Bamboo yards, Kyobashi Bridge)
Woodblock print, from the series Meisho Edo hyakkei (One hundred famous views of Edo), signed Hiroshige ga, published by Uoya Eikichi, 12th month 1857
Vertical oban: (35.5 x 23.5 cm.)
來源
Carolyn Staley Fine Japanese Prints, Seattle
Acquired from the above, 1997
出版
Hiroshige Nature and the City: Prints from the Alan Medaugh Collection (Ludion, 2023). Plate no. 127.
Alfred Haft, Hiroshige: artist of the open road (UK: The British Museum Press, 2025), Exh. cat., Plate 55.
展覽
'Hiroshige: artist of the open road', The British Museum, London, 1 May-7 September 2025

榮譽呈獻

Takaaki Murakami (村上高明)
Takaaki Murakami (村上高明) Vice President, Specialist and Head of Department | Japanese and Korean Art

拍品專文

Kyobashi Bridge was the second bridge after Nihonbashi along the Tokaido highway. Although the area has since been completely reclaimed, the Kyobashi River was once a bustling center for bamboo wholesalers, who supplied bamboo for construction and everyday goods. Because of its importance as a bamboo market, the area became known as Takegashi (“Bamboo Wharf”). In this design, rows of bamboo poles, illuminated by moonlight, are arranged neatly along the bank like a wall, creating a strong diagonal composition.
One of the pedestrians crossing the bridge carries a lantern bearing the inscription Horitake, referring to Yokogawa Takejiro (1847–1865), one of the finest woodblock carvers who frequently worked for Hiroshige.
The blue bokashi surrounding the moon, two areas of purple bokashi in the sky, the blue bokashi along the left riverbank, and the black upper and blue lower borders are characteristic features of early impressions of this design.

更多來自 歌川廣重:四季映彩 | 艾倫·梅多珍藏

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