LYONEL FEININGER (1871-1956)
Benz
Details
LYONEL FEININGER (1871-1956)
Benz
signed and dated 'Feininger 24' (lower right); signed and dated again and inscribed 'BENZ Lyonel Feininger 1924' (on the stretcher)
oil on canvas
15 x 18 3/4 in. (38 x 47.5 cm.)
Painted in 1924
Benz
signed and dated 'Feininger 24' (lower right); signed and dated again and inscribed 'BENZ Lyonel Feininger 1924' (on the stretcher)
oil on canvas
15 x 18 3/4 in. (38 x 47.5 cm.)
Painted in 1924
Provenance
The estate of the artist, until at least 1961.
Marlborough-Gerson Gallery, New York.
Berggruen & Cie., Paris.
Achim Moeller, Ltd., London.
Acquired by the present owner from the above on 20 May 1981.
Marlborough-Gerson Gallery, New York.
Berggruen & Cie., Paris.
Achim Moeller, Ltd., London.
Acquired by the present owner from the above on 20 May 1981.
Literature
H. Hess, Lyonel Feininger, Stuttgart, 1959, no. 238, p. 270 (illustrated).
Exh. cat., Lyonel Feininger. Städte und Küsten: Aquarelle, Zeichnungen, Druckgraphik, Marburg, 1992, p. 261.
J. Grabowski, ‘Lyonel Feininger und die Sammlung der Moderne im Kronprinzenpalais 1919-1937’, in Lyonel Feininger: Von Gelmeroda nach Manhattan. Retrospektive der Gemälde, exh. cat., Berlin, 1998, p. 331 (dated 1925).
Exh. cat., Lyonel Feininger, Die Zeichnungen und Aquarelle, Cologne, 1998, p. 211.
H. Schulz-Vanselow, Lyonel Feininger und Pommern, Kiel, 1999, no. 81, pp. 127 and 350 (illustrated in color p. 142).
U. Luckhardt, ‘Lyonel Feininger: El dibujo como fundamento’, in exh. cat., Lyonel Feininger, Madrid, 2017, no. 17, p. 33 (illustrated in color).
G. Benz, Papileo auf Usedom. Eine Feininger-Radtour, Benz, 2009, pp. 23 and 25 (illustrated in color p. 26).
Exh. cat., Lyonel Feininger, Madrid, 2017, fig. 10 (illustrated in color, p. 33).
I. Burdow and A. Hüneke, eds. Sweetheart, es ist alle Tage Stuem: Lyonel Feininger – Briefe an Julia 1905-1935, Berlin, 2021, p. 168.
A. Moeller, “Benz, 1924 (Moeller 251).” Lyonel Feininger: The Catalogue Raisonné of Paintings. http://feiningerproject.org/catalogue (accessed on June 27, 2025)
Exh. cat., Lyonel Feininger. Städte und Küsten: Aquarelle, Zeichnungen, Druckgraphik, Marburg, 1992, p. 261.
J. Grabowski, ‘Lyonel Feininger und die Sammlung der Moderne im Kronprinzenpalais 1919-1937’, in Lyonel Feininger: Von Gelmeroda nach Manhattan. Retrospektive der Gemälde, exh. cat., Berlin, 1998, p. 331 (dated 1925).
Exh. cat., Lyonel Feininger, Die Zeichnungen und Aquarelle, Cologne, 1998, p. 211.
H. Schulz-Vanselow, Lyonel Feininger und Pommern, Kiel, 1999, no. 81, pp. 127 and 350 (illustrated in color p. 142).
U. Luckhardt, ‘Lyonel Feininger: El dibujo como fundamento’, in exh. cat., Lyonel Feininger, Madrid, 2017, no. 17, p. 33 (illustrated in color).
G. Benz, Papileo auf Usedom. Eine Feininger-Radtour, Benz, 2009, pp. 23 and 25 (illustrated in color p. 26).
Exh. cat., Lyonel Feininger, Madrid, 2017, fig. 10 (illustrated in color, p. 33).
I. Burdow and A. Hüneke, eds. Sweetheart, es ist alle Tage Stuem: Lyonel Feininger – Briefe an Julia 1905-1935, Berlin, 2021, p. 168.
A. Moeller, “Benz, 1924 (Moeller 251).” Lyonel Feininger: The Catalogue Raisonné of Paintings. http://feiningerproject.org/catalogue (accessed on June 27, 2025)
Exhibition
Berlin, Galerie Dr. Goldschmidt – Dr. Wallerstein, Lyonel Feininger, November 1925, no. 10.
Chemnitz, Kunsthütte, Lyonel Feininger und O.Th.W. Stein, October-November 1926, no. 8.
Breslau, Gesellschaft der Kunstfreunde Breslau, Schlesisches Museum der Bildenden Künste (Altes Generalkommando), Lyonel Feininger, Erich Heckel: Gemälde, Aquarelle, Zeichnungen. Ewald Mataré: Plastik, January–February 1929, no. 20, p. 2.
Berlin, Galerie Ferdinand Möller, Sonder-Ausstellung, Die Blaue Vier: Lyonel Feininger, A. Jawlensky, W. Kandinsky, Paul Klee, October 1929, no. 4.
Venice, Padiglione della Germania, XVII Esposizione Internationale d‘Arte di Venezia, April-November 1930, no. 96.
Essen, Museum Folkwang, Lyonel Feininger, June-August 1931.
New York, Marlborough-Gerson Gallery, Lyonel Feininger, April–May 1969, no. 30, p. 11 (illustrated p. 48).
Paris, Berggruen & Cie. Feininger, Huiles, aquarelles et dessins, May 1974, no. 23 (illustrated).
London, Achim Moeller, Lyonel Feininger, Visions of City and City, Watercolours, Drawings, Paintings, a Tribute to the late Hans Hess, June-July 1975, no. 15 (illustrated in color).
Hamburg, Levy Galerie, Lyonel Feininger: Bilder, Aquarelle, Zeichnungen, March–June 1978, no. 3 (illustrated in color).
Cologne, Galerie Orangerie Köln, Lyonel Feininger, 1980 (illustrated in color).
Regensburg, Museum Ostdeutsche Galerie, Lyonel Feininger: Erlebnis und Vision, die Reisen an die Ostsee, 1892-1935, June–August 1992, p. 241, no. 76 (illustrated in color, p. 85).
Bern, Kunstmuseum, The Blue Four : Feininger, Jawlensky, Kandinsky, and Klee in the New World, December 1997 – March 1998, no. 13, p. 338 (illustrated in color p. 173); this exhibition later travelled to Dusseldorf, Kunstsammlung Nordrhein-Westfalen, March–June 1998.
New York, Whitney Museum of American Art, Lyonel Feininger, At the Edge of the World, June–October 2011, p. 283, fig. 124 (illustrated in color, p. 118).
Chemnitz, Kunsthütte, Lyonel Feininger und O.Th.W. Stein, October-November 1926, no. 8.
Breslau, Gesellschaft der Kunstfreunde Breslau, Schlesisches Museum der Bildenden Künste (Altes Generalkommando), Lyonel Feininger, Erich Heckel: Gemälde, Aquarelle, Zeichnungen. Ewald Mataré: Plastik, January–February 1929, no. 20, p. 2.
Berlin, Galerie Ferdinand Möller, Sonder-Ausstellung, Die Blaue Vier: Lyonel Feininger, A. Jawlensky, W. Kandinsky, Paul Klee, October 1929, no. 4.
Venice, Padiglione della Germania, XVII Esposizione Internationale d‘Arte di Venezia, April-November 1930, no. 96.
Essen, Museum Folkwang, Lyonel Feininger, June-August 1931.
New York, Marlborough-Gerson Gallery, Lyonel Feininger, April–May 1969, no. 30, p. 11 (illustrated p. 48).
Paris, Berggruen & Cie. Feininger, Huiles, aquarelles et dessins, May 1974, no. 23 (illustrated).
London, Achim Moeller, Lyonel Feininger, Visions of City and City, Watercolours, Drawings, Paintings, a Tribute to the late Hans Hess, June-July 1975, no. 15 (illustrated in color).
Hamburg, Levy Galerie, Lyonel Feininger: Bilder, Aquarelle, Zeichnungen, March–June 1978, no. 3 (illustrated in color).
Cologne, Galerie Orangerie Köln, Lyonel Feininger, 1980 (illustrated in color).
Regensburg, Museum Ostdeutsche Galerie, Lyonel Feininger: Erlebnis und Vision, die Reisen an die Ostsee, 1892-1935, June–August 1992, p. 241, no. 76 (illustrated in color, p. 85).
Bern, Kunstmuseum, The Blue Four : Feininger, Jawlensky, Kandinsky, and Klee in the New World, December 1997 – March 1998, no. 13, p. 338 (illustrated in color p. 173); this exhibition later travelled to Dusseldorf, Kunstsammlung Nordrhein-Westfalen, March–June 1998.
New York, Whitney Museum of American Art, Lyonel Feininger, At the Edge of the World, June–October 2011, p. 283, fig. 124 (illustrated in color, p. 118).
更多詳情
Achim Moeller, Managing Principal of The Lyonel Feininger Project LLC, New York – Berlin has confirmed the authenticity of this work, which is registered under no. 2016-06-27-25. The work is included in Lyonel Feininger: The Catalogue Raisonné of Paintings by Achim Moeller under no. 251.
榮譽呈獻
Jakob Angner
Specialist, Private Sales